A Quote by Paul Theroux
When I'm writing, I like to travel alone. If you really want to find out about a place, you need to be as free as possible to be spontaneous. You also need to be lonely, because loneliness is a great teacher, too.
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I make a genuine distinction between loneliness and aloneness. I know what each is like. There are times I'm lonely. But there are also many times when I need to be alone, when I don't want the feeling of someone else in the house other than the cats.
Is it possible really to love other people? If I’m lonely and in pain, everyone outside me is potential relief—I need them. But can you really love what you need so badly? Isn’t a big part of love caring more about what the other person needs? How am I supposed to subordinate my own overwhelming need to somebody else’s needs that I can’t even feel directly? And yet if I can’t do this, I’m damned to loneliness, which I definitely don’t want … so I’m back at trying to overcome my selfishness for self-interested reasons.
Unless there is a strong sense of place there is no travel writing, but it need not come from topographical description; dialogue can also convey a sense of place. Even so, I insist, the traveler invents the place. Feeling compelled to comment on my travel books, people say to me, "I went there"---China, India, the Pacific, Albania-- "and it wasn't like that." I say, "Because I am not you.
It's a mystery to me We have a greed with which we have agreed You think you have to want more than you need Until you have it all you won't be free When you want more than you have You think you need And when you think more than you want Your thoughts begin to bleed I think I need to find a bigger place 'Cause when you have more than you think You need more space Society, you're a crazy breed I hope you're not lonely without me Society, crazy and deep I hope you're not lonely without me
Traveling is amazing. You meet so many great, positive people. You get to see new faces all the time. I don't think that loneliness, it's not like you have no one in your life. Well, I'd say it's like . . . you can have everyone you need in your life and still be lonely. Everyone knows that. Being on the road is complicated and shitty; it's also really, really rad.
Loneliness in travel directs you and tells you about yourself. You don't become lonely unless you're alone.
'IT IS IMPOSSIBLE FOR YOU TO DO IT,' WAS THE TERRIBLE VERDICT. 'IN THE FIRST PLACE YOU ARE A WOMAN AND WOULD NEED A PROTECTOR, AND EVEN IF IT WERE POSSIBLE FOR YOU TO TRAVEL ALONE YOU WOULD NEED TO CARRY SO MUCH BAGGAGE THAT IT WOULD DETAIN YOU IN MAKING RAPID CHANGES. BESIDES YOU SPEAK NOTHING BUT ENGLISH, SO THERE IS NO USE TALKING ABOUT IT; NO ONE BUT A MAN CAN DO THIS.'
I want to see all the countries in the world and learn all the languages. I want to have thousands of friends and I want all my friends to be different. I want to play six instruments. I want to be the best in the world at two things. I want to be a great athlete and I want to be a great surgeon. I need to practice very hard every day. I need to sleep as little as possible. I need to read at least one major book every week. And I need to remember that my seventy years are going to go by too quickly.
As far as possible, Arianne realized, each soul had to be content alone before plunging into love, because one never knew when the other would move out of that love. It was the greatest paradox: Souls need each other, but they also need to not need each other.
I've also seen that great men are often lonely. This is understandable, because they have built such high standards for themselves that they often feel alone. But that same loneliness is part of their ability to create.
I don't really want to say need because to me--an aggressive, liberated woman--need sounds too pathetic. But maybe I'm wrong. Maybe need and want sometimes go together. Maybe I do need and want a man. *************************************************************************************************************************************
In liberation, you stand alone. You stand alone because you need no supports of any kind. You need no supports because you have realized that the very notion of a separate you no longer exists, that there is nothing to support, that the whole ego experience was a flimsy illusion. So you stand alone but are never, never lonely because everywhere you look, all you see is That, and you are That.
You need to make things and not be so precious about whether they're any good or not. Because I have a secret for you: they're not good. They're flawed, and you need to find out what the flaws are as fast as possible.
I also think if you get sort of early success there's always this part of you which feels like, "I need to address the imbalance, I need to kind of earn that success after the fact". I try to find roles that are hard and also, I still find now, even after I've done loads of really random movies, directors are really surprised that I want to play the parts that I want to play. They just assume that you want to only do the honorable good guy lead who saves the day or dies at the end .
All great spirituality teaches about letting go of what you don’t need and who you are not. Then, when you can get little enough and naked enough and poor enough, you’ll find that the little place where you really are is ironically more than enough and is all that you need. At that place, you will have nothing to prove to anybody and nothing to protect. That place is called freedom. It’s the freedom of the children of God. Such people can connect with everybody. They don’t feel the need to eliminate anybody . . .
All writing is that structure of revelation. There's something you want to find out. If you know everything up front in the beginning, you really don't need to read further if there's nothing else to find out.
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