A Quote by Paul Theroux

Home is always the impossible subject, multilayered and maddening. — © Paul Theroux
Home is always the impossible subject, multilayered and maddening.
Even if the painting is green, well then! The 'subject' is the green. There is always a subject; it's a joke to suppress the subject, it's impossible.
but they had also settled into the maddening familiarity of friendship; maddening for her at least.
It's a maddening thing in itself to look at an old poem of yours. To translate it is even more maddening.
It is absolutely impossible for a subject to see or have insight into something while leaving itself out of the picture, so impossible that knowing and being are the most opposite of all spheres.
Save the Children is often told that its aims are impossible - that there has always been child suffering and there always will be. We know. It's impossible only if we make it so. It's impossible only if we refuse to attempt it.
In conscious life, we achieve some sense of ourselves as reasonably unified, coherent selves, and without this action would be impossible. But all this is merely at the 'imaginary' level of the ego, which is no more than the tip of the iceberg of the human subject known to psychoanalysis. The ego is function or effect of a subject which is always dispersed, never identical with itself, strung out along the chains of the discourses which constitute it.
What I found interesting in dance is the idea that my work has always been dealing with the nervousness between the human subject as a subject and the human subject as a form. And if you look at my dance films, there are always these cuts between the dancer as a form, the dancer as a subject, and this kind of very harsh treatment of the dancer as someone who's actually drawing with their body.
Magic is always impossible.... It begins with the impossible and ends with the impossible and is impossible in between. That is why it's magic.
The racial conversation in the States is so multifaceted and multilayered. Obviously it's not always a positive conversation, but it's just so much more detailed than it was when I was growing up in South Africa.
Scan your subject for things that are clearly impossible. After all, paint isn't magic! If you see that certain elements in the subject are beyond the limits of your pigments, try to form an idea beforehand of how you are going to handle those areas when you get to them.
We can no longer contemplate the subject - self - of contemporary art; it has been woven into infinite relationships, replaced by social movements, national image, and financial capital. The disappearance of the construction of the self of contemporary art makes it impossible to exist in the form of a subject. The subject of contemporary art that I speak of is a kind of naming event predicated upon the multiplicity of the environment. It includes politics, should have its own way of thinking, and can be perceived.
It always surprises me how much my followers appreciate how candid my photos are - they may not have a particularly unique subject, but it's more about the light you shed on the subject than the subject itself.
Impossible is not a fact. It's an opinion. Impossible is not a declaration. It's a dare. Impossible is potential. Impossible is temporary. Impossible is nothing
Nothing's impossible, because in the word 'impossible,' it says, 'I'm possible.' Always know that no matter what, you can always do it, and don't let anybody tell you differently.
I always felt the 'X-Men,' in a subtle way, often touched upon the subject of racism and inequality, and I believe that subject has come up in other titles, too. But we would never pound hard on the subject, which must be handled with care and intelligence.
The documentary 'Certifiably Jonathan' has engrossing moments in it. How can it not? It's got a great subject - the extraordinarily voluble comedian Jonathan Winters, whose constant rush of words can be like a blizzard: beautiful, maddening, exhausting, and finally beautiful again. But it's not a great film.
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