A Quote by Paul Theroux

If you look at a map, you see that Hawaii is in the middle of nowhere. It's 17 hours of straight flying from London. It's very far away, and sometimes you feel as if you're on another planet. But I like that. Also, that's ideal for writing.
I'm from a very small village in the middle of nowhere, four hours by airplane from Moscow. Yemanzhelinsk - you wouldn't find it on the map. Don't even try it. It's super, super tiny.
I remember being on Hawaii when I sailed to Hawaii. It felt unsettling to be walking around there because I was thinking, "This place could just sink at any second." In actuality, it totally can. But it really felt like, I am this teeny, tiny speck out in the middle of all that water, I feel so unprotected right now. It almost felt creepier than being on a boat, which is an even smaller speck out in the middle of nowhere. But I felt like I had some control over that situation.
I need to be very isolated to write, and unfortunately isolation is often quite difficult to find. My ideal writing environment would be a country house hotel in the middle of nowhere, with full room service.
If you look at a shape like a straight line, what's remarkable is that if you look at a straight line from close by, from far away, it is the same; it is a straight line.
For nearly two years, I was flying above the planet with my camera. I knew straight away that this was something important to do, just at this moment, a portrait of the planet for the millennium year. I worked in 80 countries, fighting for money all the time.
I would spend hours and hours gazing at the stars and wondering, what's out there? Sometimes I wondered if maybe there was another girl like me on another planet some place gazing at the stars and thinking about the same things.
I don't feel very glowing, especially after wearing makeup - and not necessarily my choice of makeup - for 12 hours straight on a movie set. When I'm playing a character, her look is sometimes different from my own.
It changes your perspective to be able to look out the window and see the planet. One of the thoughts that I had when I first got up here was, 'We really do live on a planet, and we are in a solar system, and we are flying through space right now.' I mean, this is something that you know, obviously, but to see the planet - it's amazing.
I think he just gets like this sometimes. Like he needs to pull away. I think of it like winter. During winter, it isn't that the sun is gone (or cheating on you with another planet). You can still see it in the sky. It's just farther away.
A Separation is another film that I think is extraordinary, and one of those things that feels like it's from another planet, much like Terrence Malick's movies did: at a certain point, you feel like he's an alien from another planet telling us and looking at us and showing us how we are. I also really, really love Jerry McGuire.
Anthropological fieldwork is so much like writing a novel. Granted, you don't have the physical disruption and disorientation, but writing a novel is like entering a new culture. You don't know what the hell is going on. And every day you feel like you have nothing, you're going nowhere. Or you feel that first it's going somewhere, but then you get into that horrible middle part.
I would love to live in the wilds of nowhere, and when writing 'Chronicles,' I would occasionally rent a cottage in the middle of nowhere that had no mobile reception, but I'm not about to move away from my family.
I just don't feel that we've traveled very far in the realm of social equality. There just seems to be a little bit of unrest. And sometimes I think that happens when you really feel like something's about to change. Right before the moment of lift off, sometimes things feel a little bit unhinged, and that's what it feels like to me right now, both as a woman and just as a human on the planet as an American woman in America. I feel like we're on the precipice of change. I feel a little nervous.
It's a very hard line to walk, and I certainly am nowhere near having cracked how to do that, but I try to focus on being a brave performer and not worrying about my lighting or whatever, even though, then, sometimes I see myself on screen, and I'm like, "Why did you wear that, look like that, whatever," but I'm also more accepting that is what it is. There's this battle always.
I'm very fond of an old map of London that used to belong to my father. I'm a big London fan, and the evolution of the city is astonishing, when you look back to Pepys and how small it was - everyone knew each other.
I'm very impressionable: I get very taken away by stories and certain feelings. With writing, sometimes I want to feel like a character.
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