A Quote by Paul Theroux

When I write about my childhood I think, oh my God, how did I ever get from there to here? Not that any great thing has happened to me. But I felt so tiny, so lost. — © Paul Theroux
When I write about my childhood I think, oh my God, how did I ever get from there to here? Not that any great thing has happened to me. But I felt so tiny, so lost.
I don't think you ever write a song with any intention except the song's about such and such per say ... we've never written a song and thought 'oh it'd be great if in this part this happened in the audience'.
I'm not afraid to write about madness. I always figure that whatever most embarrasses you is something that everyone can relate to, really...because we're just not that different. So if you think, 'Oh my god, this is so embarrassing. I can't possibly talk about that,' and you write about it, the audience is gonna be like, 'that happened to me!
...have you ever found God in church? I never did. I just found a bunch of folks hoping for him to show. Any God I ever felt in church I brought in with me. And I think all the other folks did too. They come to church to share God, not find God.
And one day, this thing happened to me: I coughed, and the blood just came gushing out of my mouth. ... I still can't believe that that happened to me, but I sat there, and I said to God, 'Well, if it means I'm going to die, that's OK.' I don't think I've ever felt that same kind of peace, the kind of serenity that I felt after acknowledging that maybe I was going to die of this TB.
Being from Africa is the best thing that could have ever, ever happened to me. I cannot see it any other way. All of my fundamental principles that were instilled in me in my home, from my childhood, are still with me.
I'm a character actor and I get lost in these characters, so I think it's only recently that people have begun to connect dots and go, 'Oh, that's the same person that did this, this, this, this and this!' which I take as a compliment. One time somebody called me an illusionist, and that was the nicest thing anyone has ever said.
I did not survive everything. No one ever does. Little pieces of you - sometimes the best of you - get lost in a little lie here, a little joke there. And of course, the aftereffect is the tiny sob - unseen, unheard, deeply felt.
One current of continuity runs underneath all the abortive phases of my life. From childhood on I have been obliged to drop anything I was doing to run after any man who seemed to know a little more than I did about God . . . I most want to write about: how a modern woman has sought the face of God-not the name nor the fame but the face [ital] of God-and what adventures came to meet her on this ancient human path.
What happened during the previews of 'Taboo' [musical] was that it was the first time I'd ever been written about as a great song-writer - I cried. I absolutely wept, because it wasn't the usual stuff like, "Oh, he was a drug addict and he did this and that..." It was really looking at the music and it was really complimentary. It was a huge thing.
It can get discouraging - 'Oh, it didn't work,' or, 'Oh, I lost the baby,' or, 'I can't do this again.' You can. And when you get the kid, you'll be happy that you did. But it's a very painful process for a lot of people. You just have to figure out how it's gonna get done.
Strangely enough, for many many years I didn't talk about my childhood and then when I did I got a ton of mail - literally within a year I got a couple of thousand letters from people who'd had a worse childhood, a similar childhood, a less-bad childhood, and the question that was most often posed to me in those letters was: how did you get past the trauma of being raised by a violent alcoholic?
It's like going into the Senate. You know, the first time you get there, you're all excited, 'My God, how did I ever get here?' Then, about six months later, you say, 'How the hell did the rest of them get here?'
I think, oh my god, kids are reading, and they care about a book enough to come over and talk to me about a book that they care about. If I think about it as being a celebrity, it would freak me out. But I just think, lucky me, that I get to be a part of this whole thing.
I think the Pentecostals have done a great thing for the Kingdom of God. I think Baptists have done a great thing, oh, Protestants, I should say, have done a great thing for the Kingdom of God, so whenever Satan tries to divide, it's just really God multiplying.
I did worry about being in a science-fiction show. The bits that I was reading, I felt were funny, and I felt the man was childish, so I really did ask initially, "Is this for kids?" And the thing that came back immediately was like, "Hey, take a look at this whole thing again. This is definitely not for children. How can you think that?"
What I love about the thriller form is that it makes you write a story. You can't get lost in your own genius, which is a dangerous place for writers. You don't want to ever get complacent. If a book starts going too well, I usually know there's a problem. I need to struggle. I need that self-doubt. I need to think it's not the best thing ever.
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