A Quote by Paul Theroux
I was kind of raised with the suggestion that I had a duty to do; that life was real, life was earnest. And I hated that, actually. I needed to be liberated, to be told that I could live the life that I wanted to live; that I didn't need a job, or to be shouted at; that I could be myself; that I could be happy.
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I never wanted to live a relatable life, I wanted to live an aspirational life. I didn't want to see people who had my life on TV. I wanted to see other lives, right, and so I was always trying to get as much of that stuff as I could.
I went to the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach, and not, when I came to die, discover that I had not lived. I did not wish to live what was not life, living is so dear; nor did I wish to practise resignation, unless it was quite necessary. I wanted to live deep and suck out all the marrow of life, to live so sturdily and Spartan-like as to put to rout all that was not life, to cut a broad swath and shave close, to drive life into a corner, and reduce it to its lowest terms.
I started thinking about life insurance and how nice it would be if you could get insurance that your life would be happy, and that everyone you knew could be happy, and they could all do what they really wanted to do, and they could all find the people they wanted to find.
If I had two lives, in one life I could invite her to stay at my place, and in the second life I could kick her out. Then I could compare and see which had been the best thing to do. But we only live once. Life's so light. Like an outline we can't ever fill in or correct... make any better. It's frightening".
I love talking to my friends at uni and seeing what they are doing. They're just finishing their dissertations, and I kind of wish I could live their life for a second. I wish my school days could have dragged on a little longer, or that I could go back and do it later in life.
Live-action has always been my focus and my passion. I love voice-over, and I definitely could see myself doing some voice-over, as much as I could, and even if I ended up doing only that for the rest of my life, and I could be successful at it, that would be great. But I think my real dream is to do films and live-action films.
If life is so critical, if Anne Frank could die, if my friend could die, children were as vulnerable as adults, and that gave me a secret purpose to my work, to make them live. Because I wanted to live. I wanted to grow up.
We don't have real control over death. You could die of a heart attack, a building could fall on you, you could be in an accident, you could have a fatal disease. So, how should you conduct your life? You just go ahead and live, taking reasonable precautions - like handling the mail more carefully.
I had often thought that if I managed to live through the war I wouldn't expect too much of life. How could one resent disappointment in love if life itself was continuously in doubt? Since Belgorod, terror had overturned all my preconceptions, and the pace of life had been so intense one no longer knew what elements of ordinary life to abandon in order to maintain some semblance of balance. I was still unresigned to the idea of death, but I had already sworn to myself during moments of intense fear that I would exchange anything - fortune, love, even a limb - if I could simply survive.
[My photography teacher] gave me the Mexican Day Books of Edward Weston and just blew me away with this work. The fact that you could be this fabulous visual artist, with all this milieu of people like Diego Rivera and you could sleep with these gorgeous, amazing women, that you could live that life - that photography could deliver you that life.
To live factionless Is not just to live in poverty and discomfort; it is to live divorced from society, separated from the most important thing in life: community. My mother once told me that we can’t survive alone,but even if we could, we wouldn’t want to. Without a faction, we have no purpose and no reason to live.
I could have a sex change and become a woman, physically. But in some ways that isn't even necessary. Because we live in a time when real life, and virtual life are at parity. We are so used to being creators, and creating versions of ourselves, mainly online, and through our communication technology, that I could very well picture myself as a woman, and consider myself a woman, even if my body would be classified as a male body by a medical examiner.
There was a whole language that I could never make function for myself; it revolved around words like 'tortured', 'struggle'. 'pain'.. .I could never see these qualities in paint - I could see them in life and art that illustrates life. But I could not see such conflicts in the materials and I knew that it had to be in the attitude of the painter.
I told my father I wanted to go to the stock market. My father reacted by telling me not to ask him or any of his friends for money. He, however, told me that I could live in the house in Mumbai and that if I did not do well in the market I could always earn my livelihood as chartered accountant. This sense of security really drove me in life.
I could pull my living in and live OK, but I don't want to live OK. I'm very happy to live in my penthouse, very happy I can pick up a check, very happy to have a great life and be able to spread my wealth a little bit.
Mom was only 23 when she had me, and there's a version of my story where we could have lived in New York, and she could have had a very high-profile life, and I could have been raised by nannies.
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