A Quote by Paul Verlaine
A flat black bug, that is London.
Related Quotes
I was brought up in a flat in North London - virtually the last building in London, because north of us was countryside all the way to the coast, and south of us was non-stop London for 20 miles.
People bug you all the time. Sometimes, it's a good bug, when they say you're doing a good job. When it's not a good bug, it's even worse.
Sometimes I get the bug to live in London for a year, or something like that, and maybe I will. But New Jersey's home.
I don't like London. I'm not happy here. I don't even own a flat here.
I love London. Wherever I've lived, I've always had my flat here.
Fridays are always movie night at our flat in Kensington, West London.
Life was like a batch of biscuits without the baking powder: flat, flat, flat.
He's the funniest, smartest person I know. It doesn't mean he doesn't bug me and I'm sure I bug him sometimes.
When I was younger, my father was in the Foreign Service and we lived in Nigeria, Panama, and London, but for the most part I grew up in the South and D.C. I got the travel bug as a little person and I've bounced around a lot.
I live in a flat in central London. I do like it there; there's always stuff going on. But I do crave a bit of peace and quiet.
There is no monolithic black culture. It's completely different for someone born in Harlem to someone born in Houston or London with one exception, which is that people contributing to black culture have the experience of being black.
I'm writing a film called 'Bug.' It's an original script, and it's not about killer insects. It's a thriller set in a high school. The bug of the title refers to a surveillance device.
I've lived in a flat in Westminster in London for over 20 years; and I also have a house in the country, down in Somerset, so I have the best of both worlds.
I have a very spartan flat in London, and when they see it people say: 'Why don't you make it more homely?' The reason is that it's just a place to sleep when I'm working.
I was living in my lovely little two-bedroom flat in north London... and suddenly, I couldn't just walk down the street and buy a pint of milk.
Having a background in doing printmaking and letterpress, I think that I became very interested in images that were flat and graphic. And my painting still today is very flat...American craft is like that too - the painting is very flat. And also the painting that you see on the storefronts, handmade signs, tend to be very flat. That's probably my biggest influence.
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