A Quote by Paul Virilio
Digital messages and images matter less than their instantaneous delivery; the shock effect always wins out over the consideration of the informational content.
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Digital is expensive, from the computers to the professional software to the technicians, but digital helps me to create more beautiful images in less time.
I was always obsessed with finding truly researched images to add authenticity, out of that came something totally contemporary and modern. Research is very key to my process because over and over again, reality provides more interesting images than you could have invented.
I have not suggested that the emergence of language is instantaneous. Rather, that the rewiring of the brain enabling an infinite array of structured expressions was in effect instantaneous. I have never heard of an alternative to this suggestion.
We are in the age, obviously, of digital content, of the internet content. The one thing that I think this pandemic is going to do is going to explode this kind of digital content.
No matter what, I will always choose practical FX over digital ones. Blood spray pumps and squibs go a long way in convincing the audience that the carnage on screen happens right there, in a manner that digital have not achieved.
Remember: Super Bowl is the biggest day of the year for pizza delivery - so no matter what happens in the game, Peyton Manning wins.
Second, the reason to embrace and celebrate these novels as the countercultural event that they are is due largely to the subliminal messages delivered by Harry and friends in their stolen wheelbarrows. Readers walk away, maybe a little softer on the occult than they were, but with story-embedded messages: the importance of a pure soul; love's power even over death; about sacrifice and loyalty; a host of images and shadows about Christ and how essential 'right belief' is for personal transformation and victory over internal and external evils.
I avow that I do not hold that complete and instantaneous love for the freedom of the press that one accords to things whose nature is unqualifiedly good. I love it out of consideration for the evils it prevents much more than for the good it does.
Our task is not to find the maximum amount of content in a work of art, mush less to squeeze more content out of the work than is already there. Our task is to cut back on content so we can see the thing at all. The aim of all commentary on art now should be to make works of art - and, by analogy, our own experience - more, rather than less, real to us.
In my opinion, further consideration of those views will help us find a way out of the current impasse, and reveal to us the kinds of buildings and cities required by the informational society.
The economy works best when better ideas win out over worse ideas, harder work wins out over less work, when it's a fair fight in the marketplace.
Gigabit Opportunity Zones would enable Americans to become participants in, rather than spectators of, the digital economy. They would be a powerful solution to the digital divide. I hope our elected officials will give the idea serious consideration.
It doesn't matter in the end who wins and loses cause we're just here havin fun. And I'm totally lying. It always matters who wins.
Shock is shock. Your body goes into shock, regardless of it being real blood or fake blood. The mind sends powerful messages to all the various glands and secretions in the body. It's impossible trying to act it; it just happens. It's a very important question: no acting.
That's always been Guillermo's preference, is to have as much there practically as is humanly possible, and that digital graphic images are more a punctuation mark than they are a replacement.
We see ourselves as the world's digital library. That can be a lot more than books. We do want to expand to other types of content: sheet music, magazines, user-generated content.
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