I have an airplane hangar with 17 cars in it. That's no joke. I have a 'half pipe' in there, too - you know, like a big ramp, where I skateboard. It's awesome. It's the ultimate fantasy.
I'm a crazy car guy. I've got an airplane hangar full of cars.
I played upright bass. I wanted to write great tunes, play the bass, be a band leader, and smoke a big funny pipe like Charlie Mingus. So I went out and bought the pipe when I was around 18 or 19 years old. You know even women smoke a pipe in Glasgow. I worked with Carla Bley and she smoked a pipe, which I find fascinating.
I'm not really interested in rappers who talk about rap. I don't talk about it, and I don't like listening to other people talk about it. So I stick to the things that I know. You know, things like cars, ultimate fighting. I have a lot of songs about cars, because they're a big part of my lifestyle.
The play takes place on a ramp, hanging from a ramp, below a ramp, and to the sides of a ramp.
Whether I'm at the hangar or at the airport or on an airplane, I get respect. And that's the best part of my day.
You're always striving for a place of Zen. Or a flow state, where you kind of transcend reality and you go to the other place. It's when everything is in sync, and everyone is connecting with one another. Everything is going perfectly. You lose yourself. It's the ultimate form of meditation where it's an out - of - body experience. Afterward you come back to Earth and you're like, 'What just happened? We just did something awesome!' It's this energy in the room when you know you're nailing it and you know everyone else is feeling it too. That's why theater is so awesome.
Certainly, Continental has taken advantage of pipe and sponsored pipeline projects where we could. As a historic shipper, we have put a lot of oil on pipe. We have over half of our oil on pipe coming out of the Bakken. We feel good about that.
No one can tell me what to do on my skateboard. My skateboard is my safe spot. I can learn tricks, I can have fun, I can do whatever I want on my skateboard.
When you are 17, you don't know what pressure is, because you play with the best team in big stadiums with big players. But when I look back now, it's difficult for a 17-year-old to get by and deal with the whole situation.
When I was at NASA, I had a house on a small private airstrip that we shared between the flying community. I had a hangar in my backyard with my airplane in it so I could just fly from my home.
I think everyone in snowboarding is close. We've become a big family. It's not a cutthroat sport. I'm competing against one of my best friends, and I think it's cool to be at the top of the half pipe, dropping in with your competitor but your best friend, too.
It's just about pushing yourself to realms that are uncharted. I love to get to that place where I don't know what kind of music I'm doing, I don't know if it's any good, I don't know if it's anything. It's a big question mark. The idea is to have interesting results. That's my bottom line. Not just a creative fantasy world or something like that, but a mood too.
Seeing someone reading something I wrote on an airplane - things like that are pretty awesome.
I want people to just be paying attention even if they're not necessarily laughing at something, or if it takes them a while to get something, I don't mind that. If half the crowd gets the joke and the other half is sitting there scratching their heads, that's just as good for me if I like the joke, because I feel like it just brings people in more.
There are no drivers like Formula One drivers. They are engineers, in a way. They are driving manual cars one-handed at 200 miles per hour around streets in Monaco. These cars use the ultimate in technology.
I gained, like, 20 pounds in, like, two and a half, three weeks. So I just got too big too fast, and my body wasn't adjusted to that.