A Quote by Paul Wall

I've always been adventurous - my wife calls me 'the Hip Hop Crocodile Hunter' - if you can survive in the hood, you can survive anywhere. — © Paul Wall
I've always been adventurous - my wife calls me 'the Hip Hop Crocodile Hunter' - if you can survive in the hood, you can survive anywhere.
I do not use airplanes. They strike me as unsporting. You can have an automobile accident-and survive. You can be on a sinking ship-and survive. You can be in an earthquake, fire, volcanic eruption, tornado, what you will-and survive. But if your plane crashes, you do not survive. And I say the heck with it.
Somewhere down the line, the evil ones stole the legacy of hip hop and flipped it to a corporate type of hip hop. They decided to tell everybody 'Well, this is what hip hop is,' instead of coming back to the pioneers and getting the true definition of what hip hop is and what it was and what we been pushing for all these years.
Hip-hop started with street poets with great lyrical skills, and that's what hip-hop has always been about for me.
New Yorkers like to boast that if you can survive in New York, you can survive anywhere. But if you can survive anywhere, why live in New York?
My grandma always said, "Where there's a will, there's a way." I think it's just naturally in our DNA to be able to survive. We was always taught that: to survive. When you talking about slavery, it's to survive.
I think hip hop is dead. It's all pop now. If you call it hip hop, then you need to stop. Hip hop was a movement. Hip hop was a culture. Hip hop was a way of life. It's all commercial now.
Hip is to know, it's a form of intelligence. To be hip is to be update and relevant. Hop is a form of movement, you can't just observe a hop, you gotta hop up and do it. Hip and hop is more than music Hip is the Knowledge, hop is the Movement. Hip and Hop is Intelligent movement
If you look at the way society is structured , it is structured to keep people overwhelmingly in a state of fear and always trying to survive, in terms of physically, in terms of terror, in terms of financially, the credit crunch, rising food prices; all this is survive, survive, survive.
I don't care what anybody says, there's nothing like the cultural influence of hip-hop. For me, hip-hop culture is involved in everything - it's in me, in who I am, in how I dress, how I talk. It's in my son and my wife.
Not only did we survive AIDS, Reaganomics, poverty, racism, gang violence, police brutality, substance abuse - not only did we survive that, we created something endured. And whatever you might think of commercial hip hop now, there's a lot there to like and there's a lot there to critique and there's a lot of things you could say both about. But we created something that endured when we ourselves were not supposed to endure. When we ourselves were not supposed to survive and thrive. So I think that is worthy of respect and preservation and it's US history.
The real question is how do you survive at the same time you pose those risks? Because you need to survive. And it seems to me that you survive in community or in solidarity, with others who are taking the risk with you.
I wake up hip-hop, Go to sleep hip-hop, Dream 'bout hip-hop, 'Cause I AM HIP-HOP.
What people can survive and what they don't survive is shocking to me. Someone can go to Iraq and be blown to bits and survive. Someone can trip and fall on the street and they die - that's that.
To me, that's the biggest problem with hip-hop today is the fact that everyone believes that all of hip-hop is rap music, and that, when you say "hip-hop," it's synonymous with rap. That when you say "hip-hop," you should be thinking about breakdancing, graffiti art, or MCing - which is the proper name for rap - DJing, beat-boxing, language, fashion, knowledge, trade. You should be thinking about a culture when you say, "hip-hop.".
I've always been able to do sprinkles of hip-hop here and there in all my albums, but I'm not sure how my fans are gonna feel about coming out first with something that's so hip-hop.
There's constantly this melancholy about British hip-hop. People are always waiting for it to explode like American hip-hop, but it might just be that British hip-hop will always be as it is: an underground thing which will stay that way.
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