A Quote by Paul Wardingham

I've always loved Ibanez guitars, and in particular 7 strings. — © Paul Wardingham
I've always loved Ibanez guitars, and in particular 7 strings.
I'll always leave the same set of strings on my guitars when I'm recording. If I break one I'll just replace it instead of putting on a whole new set of strings.
I started playing the guitar when I was 14. I'm not superstitious about guitars, but I do need strings to be old because that's part of my sound, and I don't like steel strings.
My basic setup is my Ibanez Fireman guitars and for pedals, the TC Electronic MojoMojo is the mainstay of my board, along with a Catalinbread Calissto Chorus.
I'd always loved strings. When I was in high school and saw strings playing on stage, an orchestra or a symphony, all those bows moving at the same time... wow.
When we first started, in the early Eighties, we had some crappy guitars - Japanese knockoffs that wouldn't hold standard tuning. Later, we'd shove drumsticks or screwdrivers under strings to scheme new noises, sure. But initially, open tuning was a technique used to make our cheap guitars sound better. It wasn't academic or conceptual.
I've always loved big riffs and chunky guitars.
With a four-string, the middle range is less of an option. That kind of 5th that you play on those A and D strings isn't there. So a lot of traditional rock sounds, you can't play them. But to be honest, there was no particular intention when I started playing with four strings. It just worked out that way and it sounded cool.
Most of my guitars have been instruments that look cool. I'm not picky. I never think, 'Oh, this neck isn't made of ebony,' or, 'These strings don't feel correct.' It doesn't matter too much.
I have problems with guitars, I hammer away at it sometimes and I also do little intimate picks, I'm always looking at new guitars and little extra tweaks and stuff, I like to mix it up a bit.
For me the world has always been more of a puppet show. But when one looks behind the curtain and traces the strings upward he finds they terminate in the hands of yet other puppets, themselves with their own strings which trace upward in turn, and so on. In my own life I saw these strings whose origins were endless enact the deaths of great men in violence and madness. Enact the ruin of a nation.
'Psycho' is probably the best known example of a horror film whose exclusive sound was strings, and since then, it's been hard to avoid that. The minute you have strings as your primary voice, the comparisons are always made.
I've always loved horror, I've always loved collecting, I've always loved weird and macabre things, and I've always loved conventions. So what could be better than having your own Fear FestEviL where all those great and crazy things can be enjoyed by like-minded people under one pretty cool roof? Nothing!
My father played one of the first electric guitars in England. He built his own in 1940, because you couldn't buy them in those days. He used three telephone pickups under the strings, which gave chronic distortion on chords but was quite good on single notes.
The lute I use has 10 courses and 19 strings, which is quite a lot of strings and a quite different fingerboard width from a classical guitar. I use a combination of flesh and nail when plucking the strings.
I like the strings. I always have. Because that's how it feels. But the strings make pain seem more fatal than it is, I think. We're not as frail as the strings would make us believe. And I like the grass, too. The grass got me to you, helped me to imagine you as an actual person. But we're not different sprouts from the same plant. I can't be you. You can't be me. You can imagine another well – but never quite perfectly, you know?
If you play "I Don't Want To Know" by Fleetwood Mac loud enough -- you can hear Lindsey Buckingham's fingers sliding down the strings of his acoustic guitar. ...And we were convinced that this was the definitive illustration of what we both loved about music; we loved hearing the INSIDE of a song.
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