A Quote by Paul Watson

The film 'The Cove' made people aware of the Japanese slaughter of whales. — © Paul Watson
The film 'The Cove' made people aware of the Japanese slaughter of whales.
This isn't a hunt that's going to kill just four or five gray whales. The repercussions of this will have an effect on tens of thousands of whales that will be killed by the Japanese and Norwegians.
I have a tattoo on my foot that says 'it's a whale' in Japanese, because Japanese people kill whales. My stuffed whale was like most children's teddy bear. I took it with me everywhere. I slept with it. I couldn't live without my whale.
There aren't many American directors here trying to direct a Japanese yakuza film. When you combine that with the fact that I don't speak much Japanese and this was an independent film I was financing myself - people were curious about what I was doing.
It's time to end the cruel slaughter of whales and leave these magnificent creatures alone.
If I say that I am more interested in preventing the slaughter of large whales than I am in improving housing conditions for people, I am likely to shock some of my friends.
Stem-cell research on embryos is an even worse excuse for the slaughter of life than abortion. No woman is even being spared an inconvenience this time.... It's just harvest and slaughter, harvest and slaughter, harvest and slaughter.
Whales have become newly symbolic of real values in a world environment of which man is newly aware. Whales live in families, they play in the moonlight, they talk to one another, and they care for one another in distress. They are awesome and mysterious. In their cold, wet, and forbidding world they are complete and successful. They deserve to be saved, not as potential meatballs, but as a source of encouragement to mankind.
When it comes to whaling, Iceland is an international outlaw. Years of global negotiations and declarations have failed utterly to end its illegal slaughter of whales. It's time to send Iceland a message it can't ignore: trade sanctions.
I was aware of what animals go through because I had driven animals to slaughter and I'd killed animals. And I was aware that there were certain ethical issues, but they weren't preying on my mind very heavily.
I saw the film Pearl Harbour and it made me wish that the Japanese had bombed Hollywood instead!
If you look at Japanese film, it is made up of collage or bricolage, it is made up of lists, and suddenly when you stand back from the lists you begin to see the pattern of a life.
As well as Japanese animation, technology has a huge influence on Japanese society, and also Japanese novels. It's because before, people tended to think that ideology or religion were the things that actually changed people, but it's been proven that that's not the case. Technology has been proven to be the thing that's actually changing people. So in that sense, it's become a theme in Japanese culture.
On another level this film talks about that. We had tremendous freedom while making this film. We never thought about marketing. It wasn't a film made to sell merchandise or products or to reach millions of people around the world. It was a film made to say what I really felt.
Environmental activists in the rough Antarctic seas have launched a new tool in the fight to stop a Japanese operation to kill hundreds of whales: remote-controlled drones.
Seeing the whales off James Price Point, mothers, babies, bull whales, seeing the count, going up into the thousands of these whales, the assurance that they will be ok with a mega port, mega ships and a huge factory ashore, is now clearly proven wrong.
Whales in mid-ocean, suspended in the waves of the sea great heaven of whales in the waters, old hierarchies. And enormous mother whales lie dreaming suckling their whale-tender young and dreaming with strange whale eyes wide open in the waters of the beginning and the end.
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