A Quote by Paul Weller

I don't know if there's any formula. I'm not sure I believe in that, to be honest. I don't know if there's any rhyme or reason to music. Sometimes it hits and sometimes it doesn't, really.
You know, the music business is like the Lotto. Just put your numbers down and sometimes they hit, and sometimes they don't. There's just no rhyme or reason.
Sometimes--sometimes it just hits me, you know? And, it's not getting any easier." I choke, my eyes flooding all over again. "I'm not sure that it will. I think you just get used to the feeling, the hollowness, the loss, and somehow learn to live around it
Sometimes you're traveling a highway, the only road you've ever known and wham! A semi comes from nowhere and rolls right over you. Sometimes you dont wake up. But if you happen to you know things will never be the same. Sometimes that's not so bad. Sometimes lives instersect, no rhyme, no reason, except, perhaps, for a passing semi.
Sometimes you do films that work really well and sometimes you do a film and you fall flat on your face. Sometimes things work, sometimes things don't work, you never know. I don't think there is any explanation to something like that.
There seems to be no rhyme or reason for Aleister Black and Bobby Lashley to collide, because the world teaches us that sometimes there is no reason or rhyme for conflict.
There is no reason to believe that the people who staff the managerial and professional positions in our service institutions are any less qualified, any less competent or honest, or any less hard-working than the men who manage businesses. Conversely, there is no reason to believe that business managers, put in control of service institutions, would do better than the 'bureaucrats'. Indeed, we know that they immediately become bureaucrats themselves.
As a director, your job is to make sure no one for any reason is taken out of the film. Sometimes it's impossible and sometimes things don't come out the way you want them to, but I think you have to work really hard at making the world engrossing and details are a major part of that.
My favorite rhymes are sort of half-rhymes where you might just get the vowel sound the same, but it's not really a true rhyme. That gives you far more flexibility to capture the feeling you're trying to express. But sometimes it's best not to have any rhyme.
Sometimes you're not sure about a player. Sometimes you doubt. Sometimes you have to guess. Sometimes... you just know.
Sometimes you're not sure about a player. Sometimes you doubt. Sometimes you have to guess. Sometimes you just know.
You know sometimes when you're in a really bad mood and you're not sure why? That's how I get sometimes.
I hope that people can relate to my music, it's very relatable, it's very fun, it's very honest. It's very, very, honest. I know that my fans will probably learn a lot about me by listening to my music, if they really listen to the lyrics. I'm sure they'll learn about a new side to me, it's all very honest, I don't put on any... there's no fake-ness to it, it's very real and I hope my fans can relate to it and that it's enjoyable for all ages.
To be honest with you, I'm not sure what a pop tune is. I'm sure if I hear it on the radio, I'd say that's pop or this or that. But, really, what I pay attention to the most is just music that moves me. It's all at least a root-type music instead of a formula.
Sometimes, you know, I cry. And sometimes I scream. And I get really angry. And I get really upset, you know, into wallowing in self-pity sometimes. And I think that it's all part of the healing.
I don't know that there's any rhyme or reason to bullying... it's not even the bully's fault, which is why it's such a difficult thing to combat.
Sometimes I rhyme slow sometimes I rhyme quick, I was on 125 and St.Nick
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