A Quote by Paul Weller
I think if you're a creative person, then you're always kinda looking to move things along - 'Where else can I go? Where can I take this?' From painters to photographers - anything creative in the arts - if you're a true artist, I think you'll always look to do something else. 'Where else can I go with it?' Do you know what I mean?
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Acting is a creative process, and directing and music. I think creative people - and I take myself as a creative person and it doesn't mean you have to be an actor, a musician, or a painter - but I think if you are in a creative profession or a creative business you do have a heightened awareness.
I think that every day is a learning experience. I mean, every time I go to a school I learn something else from a teacher or learn something else from a student, I learn something else from a parent. There's so much to know when you talk about education.
I read a very romantic book when I was young, when I was in college: Rilke's 'Letters to a Young Poet.' And I've always felt that if you are in any kind of an artistic, creative endeavor, and you feel there's something else you can do for a living and be happy, I think you should do something else.
You can take a picture of New York and one person looking at it will think it looks really depressing, frightening; and someone else will look at it and think of all the fun things you can do in New York. I think songs are kinda like that.
If you move here from somewhere else, I often think if I move to Germany, for example, or if I move China and I go worship there I will understand and I'll be willing to give up a lot of my culture because I'm in somebody else's homeland. So I'm going to have to act German or Chinese, whatever that might mean.
There's a limit of any form of representation; it's the same about writing about visual art. I still think it's useful for people to think through things in a deeper way, and use adjectives even if they're not sufficient, you know? I always find it interesting what terms they use to refer to the work. It's always different, and that's kind of intriguing. Sometimes it's clichés, but often it's really creative ways of paraphrasing or reformatting what to mean seems something else. I like that, personally.
To be an actor, it's really tough to find your own voice because you're always tied to other characters and going to auditions and trying to get a job, hoping they'll pick you. And I think it's just so important for an actor to have something else that's creative, something that's creative and you're in charge of.
I think you get so wrapped up in the book you're currently writing, it's hard to think about anything else. But I know as soon as I'm done with this book, I'll move on to something else.
What I would say to anyone who wants to be a model is, have something else. This shouldn't be your be-all and end-all in life: there are so many other amazing things to be done in the world. I also think that the industry really celebrates a woman who does something else. So keep at it, but always have something else.
When you're a creative person, there are just times when you're not listening. You know, I could be looking right at you and thinking about something else.
I mean, I like to be creative because it challenges me to try to be better than I am as a person and I hope that in some way that that makes someone else think and feel something about themselves that then has given them the opportunity to grow.
I think, in the West, we often discount the arts as nice but not that important. Certainly in America when we cut funding for schools, the arts are the first programs to go. But the arts built the things we need more than anything else: collaboration and co-operation and creativity.
The advice that I was always given when asking for advice about acting was that if I could imagine myself doing anything else, anything else at all, then go do that.
When I first started performing, some people were there just out of curiosity. I think that happens less often then you'd think, but when it is happening it's very obvious and I can tell what's going on. I had some of that in the beginning, but I think that ultimately I got a pretty strong fan base based on just my personality alone, and my honesty, my music. So it wasn't based on anything else, and I did notice if someone else came looking for something else, they'd probably leave, or complain it was too loud or something.
With my parents, when I was younger, I always had to do two things. If I was acting, I always had to do a sport or something on the arts side of things along with that. That way, if one fell apart, I always had something else to fall back on.
If you're worried about messaging, people will just move to something else. You know if you legislate against Facebook and Apple and Google and whatever else in the US, they'll just use something else. So are we really safer then? I would say no. I would say we're less safe, because now we've opened up all of the infrastructure for people to go wacko at.
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