A Quote by Paul Weller

Even somebody like The Black Keys or Royal Blood, they all have this original roots base to what they do. — © Paul Weller
Even somebody like The Black Keys or Royal Blood, they all have this original roots base to what they do.
I am proud of my black roots and of the black blood that runs in my veins.
I decided that in Wakanda, the royal family would have extremely dark complexions, like so black they're blue. My attitude was, because the royal family is dark, the darker you are, the more you're considered royal.
I'm the biggest Drake fan - my favorite is 'Tuscan Leather' because it's like three songs in one, and for somebody that's obsessed with keys, the outro has the best keys ever.
The keeper of the keys was one of the most important roles a household servant could hold (Mark 13:32-34). A higher official held the keys in a royal kingdom (Is 22:22) and in God's house, the temple.
It takes the black keys and the white keys both, to make perfect harmony.
I love playing all kinds of roles. I hope it doesn’t sound too pretentious, but I always feel human nature is like a piano, and there are 88 keys, and there are some white keys and some black keys, and each character is a different chord on the piano. Basically, I hope that in the course of my life, I will have played all 88 keys. So, I’ll have played heroes and villains and princes and kings and warriors and beggars and thieves and lovers and fathers and wizards and all of those things. That is why I’m an actor… I love studying people.
Life's piano can only produce melodies of brotherhood (and sisterhood) when it is recognized that the black keys are as basic, necessary and beautiful as the white keys.
When you are in your twenties if somebody hands you the keys to the kingdom and there's all this expectation and burden on you - what does that do to you and also how do you react to being given those keys?
There’s no black male my age, who’s a professional, who hasn’t come out of a restaurant and is waiting for their car and somebody didn’t hand them their car keys.
The piano has eighty-eight keys, and you have to be able to play all of them. And the range of white to black is analogous to the eighty-eight keys and you have to be able to play all eighty-eight keys in that palette from white to black.
The roots that weave up my right arm and onto my neck are my way of connecting with the earth: the earth's roots carry water like a human's veins carry blood.
I played a lot of keyboards, but I really wanted to produce the sound that was in my head that I was trying to emulate on the keys. I wanted to do it for real. And it makes me look at the keys in a different way. So it's like I'm looking at the guitar and bass more like meat and potatoes and keys like coloring over top of it, you know.
One of the keys is, and it may sound funny, talking about characters with super powers, but one of the keys is to make your characters as realistic and believable as possible. Even if they have super powers, you say to yourself, "Well, if somebody had a super power like this, what would his life be like? Wouldn't he still maybe have to go to the dentist or wouldn't he have to worry about making a living? What about his love life?" You've got to make characters that your reader can believe exists or might exist.
I really want the sense of black people being interconnected: If you black and you from Chicago, there's a connective tissue we all have. Even if you're not blood related, that doesn't mean I can't look out for you.
People ask me 'Are you copying your dad?' It is in my blood. I have got royal blood coursing through my veins. I can't help myself doing what my father did.
If I was singing like somebody else, then it was almost like I was expressing myself like somebody else. So it was always a very original thing for me. It's my voice, it's my diary, it's the way I connect with people.
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