Give people what they want, when they want it, in the form they want it in, at a reasonable price, and they'll more likely pay for it rather than steal it. Well, some will still steal it, but I think we can take a bite out of piracy.
It's not that i don't want you. I lied, earlier, when i said i was protecting you. I'm protecting myself. I don't want to be your rebound, Jacqueline." "Then why are you assuming that role? It's not what i want, either." "What am i gonna do with you?" "I can think of a couple things.
I love to write, so I think writing would be the next natural step. And if I'm making something that I'm writing, it would also probably make sense to be a producer and have some creative input from that perspective as well. Eventually, I do want to direct, but I want to get comfortable in those two jobs first. I want to dip my foot into this pool before I dive in I guess.
We want to create more jobs. We want to qualify more lenders and expand lending markets. But also, I want a very different SBA - it's not your father's SBA. I want to modernize it and reposition it so when people think about jobs, they think about how the Small Business Administration would really be helpful.
I need to be bad. I don't want to burn out. I also don't want to be a person who is always performance-oriented. I also want to have some fun.
There's an economy in sports that I always think is a useful metaphor for acting. You have an objective. You're trying to win, and of course, you want to do well. You want to use good techniques so you enforce it, but also you don't do things you don't have to do. It's very economical, and I think that in acting the most economical way through a scene is always the best. It's active. There is the sense of the fight and you want to win.
I want to advance myself in some areas. I want to go into broadcasting, be a boxing commentator and still get to travel, and I want to take courses so I can speak better. I want to take courses in business and promotion.
Well, you sort of get out of the pool room, you get out of the Marine Corps, you get out and read some literature, you become involved with people who also want to know and are ready to share some ideas about literature and thoughts, and it becomes nourished that way.
I think about dying but I don't want to die. Not even close. In fact my problem is the complete opposite. I want to live, I want to escape. I feel trapped and bored and claustrophobic. There's so much to see and so much to do but I somehow still find myself doing nothing at all. I'm still here in this metaphorical bubble of existence and I can't quite figure out what the hell I'm doing or how to get out of it.
There are days when I still want to be able to do what I want when I want, but there's also something wonderful about being secure.
I assumed a business like a film studio would behave like a business and still want to protect its own interests, still do the best it could to get as many people paying for as many of their movies as possible. I realized this is not actually a business about business: it's a business of egos and dominance.
Authors and publishers want fair compensation and a means of protecting content through digital rights management. Vendors and technology companies want new markets for e-book reading devices and other hardware. End-users most of all want a wide range and generous amount of high-quality content for free or at reasonable costs. Like end-users, libraries want quality, quantity, economy, and variety as well as flexible business models.
Well, there's lots of different things going on at the moment, I'm in talks with some people from Japan to do something and I'm also talking to Hugo Boss to do a very small line, which I want to keep to just 10-12 pieces, but what I want to do is sit with the designers for a couple of days bashing some stuff out.
I think abortion's wrong, but it's none of my business to tell somebody what's wrong, he said. So I'm pro-choice. I want to keep my nose out of other people's personal business. I guess I fall into conservative when it comes to protecting the United States in a world where a lot of people hate the United States.
The people who are competing business-wise out there want what other successful labels and artists have. I don't want what they have; I want my own path, my own sound, my own identity. Record labels care nothing about identity or artistic freedom, they want good business.
You know, I think when I reflect on it, I think there's certainly a sense of history. When you have ambitions to play this game, you want to be one of the best ever, and you want to play so well and be so effective that you want people to remember your name 100 years from now.