A Quote by Paul Weller
I saw an interview with Keith Richards. He said, 'How else could a kid in Dartford suddenly connect with and understand what Muddy Waters is singing?' There's a cultural difference, but there's just something in that music that subconsciously or internally you just understand; it just makes sense.
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It made me sick - my name's Keith Richards. It hardly makes it against Howlin' Wolf or Muddy Waters, does it? On my first guitar I had Boy Blue written - just pathetic. But that was as good as I got at the time.
I was reading an interview with Keith Richards in a magazine and in the interview Keith Richards intimated that kids should not do drugs. Keith Richards! Says that kids should not do drugs!
Keith, we can't do any more drugs because you already f-king did them all, alright? There's none left! We have to wait 'til you die and smoke your ashes! Jesus Christ! Talk about the pot
and the f-kin' kettle.
Keith Richards ... was once asked how he came up with all those amazing guitar riffs. His answer? He just starts playing until he makes the right mistake. In other words he's optimistic he will create something good by virtue of getting something "wrong."
I said if you want to be Keith Richards, you've got to listen to Bo Diddley and Chuck Berry. Then I thought, "What did Bo Diddley and Chuck Berry listen to?" I said, "They listened to Howlin' Wolf and Muddy Waters." Well who'd they listen to? They listened to Robert Johnson. I said, "Ok, we'll start with that."
I'm sorry,' said the shopkeeper. 'I can't understand your ridiculous accent.' 'My accent?' 'It is quite silly.' 'So you can't understand me?' 'Not a word.' 'Then how did you understand that?' 'I didn't.' ''You didn't understand what I just said?' 'That's right.' 'You understood that, though.' 'Not at all.' The American glowered.
I wanted to really just understand... how could a whole generation of children who were just children at the time - boys riding their bikes, flying kites, and doing all kinds of things they normally do - how could they suddenly be taught a completely different curriculum?
Mathematics is really an art, not a science. You could say science also is an art. So I would say the difference is something you can't really describe - you can only recognize. You hear somebody playing the violin, and it was Fritz Kreisler or it was somebody else, and you can tell the difference. It is so in almost every art. We just don't understand why it is that there are just a few people who are just completely off the scale and the rest of them are just mediocre. And we don't know why. But I say it's certainly true of mathematics.
Great music is just very clear. Sonically and lyrically, you understand the point of view, you understand the melodies, you understand the vibe, and you understand the lyric pretty damn quickly. To me, that doesn't make it 'less than' - it makes it 'more than.'
I really wanted to, but I just didn't understand how people became comedians. I kind of thought it was something you were born into. And so I wanted to be a veterinarian or an architect. I wanted to be in a band, and for some reason I could understand how you could be in a band because I had guitars and all my friends played music. Comedy was a secret want, but it wasn't anything I pursued.
I just don't know what makes a picture, really - the thing that makes it is something unique, as far as I can understand. Just like one guy can write a sentence and it's beautiful and another one can write it and it's dead. What the difference is, I don't know.
Muddy Waters, I suppose, was my first great hero. You know, every boy wants to be a guitar player, and Muddy Waters was just the king. He was the King Bee. He was it.
When someone like Kurt Cobain or Jack White comes out, they didn't go, "He sounds just like Muddy Waters," did they? They just said, "He's great, he sounds like him." When women come out and men write about them, they tend to write about them in a way that other men can understand, which sometimes can seem a bit patronizing.
There is something in the micro-gestures in Australia that I just understand. It's something I grew up with - how people interact, the slight differences in language and gestures, that I just understand and it puts me at ease.
They just said, 'Roll the tape.' No rehearsal or nothing... Muddy [Waters] didn't come in and say 'I wanna rehearse.' He used to look at me and say 'Let's just play the blues. That's all you need to do.
Now that I'm a father of three kids, suddenly the whole world seems different. I don't want to take anything for granted. If you gaze on something and you appreciate it, you become a part of that circle. That seemed to me to be the only relevance I could understand. The space, the time and the vastness of it all was overwhelming. I needed to understand it or I just was lost.
Some guys that know me from when I was a kid say "My son, oh he's just like your father." It's just a natural part of our lives. But, within the music industry and within the industry of the critiques of music, where it becomes "Ziggy's music is not as good as Bob's music," I don't understand. But I don't really pay much attention to that because I'm just expressing myself.
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