A Quote by Paul Weller
For me, there's always an early-'70s sense. There's always a sprinkle of it - if I do it exactly like that, sometimes it becomes too costume-y or too thought out. But the influences are there, without a doubt, always, because to me, that was the part that I also felt was the most defining of my own personality and my own style, and I also think that it's timeless. You never look wrong.
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Naturally, I've always felt more like a writer myself, and I've always written. I have people who are writers who've been promoting that side of me. I also draw, too. Those things I feel most comfortable in.
We live, understandably enough, with the sense of urgency; our clock, like Baudelaire's, has had the hands removed and bears the legend, "It is later than you think." But with us it is always a little too late for mind, yet never too late for honest stupidity; always a little too late for understanding, never too late for righteous, bewildered wrath; always too late for thought, never too late for naïve moralizing. We seem to like to condemn our finest but not our worst qualities by pitting them against the exigency of time.
I've always been into dressing nicely. My dad's really into fashion, also. We'll always go out and buy stuff. He has his own style and I have my own style, but it's a shared thing. Same thing with my grandfather; he was really into his style, so it's just sort of been passed down, I think.
I've had such an odd career. I always wanted to be a great actor. I wanted to be Katharine Hepburn - ish - there was a bit of nobility about her. Instead I've always felt like the mutt standing on the sidelines, panting and saying, "Me, too! How about me?" That's just part of my personality.
My first big disappointment is always, why don't I look like Julie Christie? Then I realise I don't look remotely like Julie Christie, and that's always a great sadness to me. Because I used to think I might have done, at one time. And I'm too fat. And I'm too old. You always see your faults, you see.
I try to teach my students style, but always as a part of life, not as ornament. Style has to come out of communicating coherent thought, not in sticking little flowers on speeches. Style and substance and a sense of life are the things literature is composed of. One must use one's own personality in relationship to life and language, of course, and everyone has such a relationship. Some people find it, some don't find it, but it's there.
I used to have this thing about my legs. If you look at all of the Destiny's Child albums from when I was a part of the group, you never saw me in a skirt. I was always the one who wore the pants, because I felt like my legs were too skinny.
I never thought of it like that. I always thought of you as a part of me, like my own eyes or my own hands. You don't go around thinking 'I love my eyes, I love my hands', do you? But think what it would be like to live without your eyes or your hands. To be mad, or to be blind. I can't talk about it. It's how I feel.
Knowledge and personality make doubt possible, but knowledge is also the cure of doubt; and when we get a full and adequate sense of personality we are lifted into a region where doubt is almost impossible, for no man can know himself as he is, and all fullness of his nature, without also knowing God.
I think each one has his own style. I think, with me, I have always commanded the respect of my captains and I have always set my own field.
I've always been somewhat uncomfortable on the stage, and I've always felt like physically having to negotiate my own presence as a part of presenting work has always been a source of angst for me.
I've always relied on discipline to achieve goals great and small. At a young age, my father instilled a real work ethic in me - and a fear of men. I always felt like if I didn't have a natural knack for something, I could kind of out-discipline the competition as it were. So I would always work as hard as I possibly could, sometimes to my own detriment and my personal life. For me, I think will power and discipline are very synonymous.
I've never thought of you like that,' said Christopher. 'How could I? If you were any other woman, I could tell you I loved you, easily enough, but not you-- because you've always seemed to me like a part of myself, and it would be like saying I loved my own eyes or my own mind. But have you ever thought of what it would be to have to live without your mind or your eyes, Kate? To be mad? Or blind?
It is never too late, no matter how old you get because anytime or any point in your life you can always have a chance to make a difference. You can always make a change for the better no matter what background you derived from. You can always do your best and be all that you can be because you will always be uniquely you. It is why it is always wise to listen to your eternal heart, your eternal instincts, and what it had always strove for and/or to do because really anybody can make a difference not only in their own lives but in the lives of others. It is never too late to shine; never.
I don't experience much loneliness, oddly. Sometimes I have thought I was lonely and it turned out I was in reality wanting a snack, just like sometimes I have thought I was mad and it turned out I was actually wearing too many sweaters. I've always been very content in the company of my own thoughts, and I prefer to spend much of my time alone. But I do like conversation - for the exercise, for the spark, for the let's-see-where-it-takes-us, for being able to dip into communal creativity when you're tired of your own air.
I always try to say what I'm thinking, what I'm feeling, and without fear of what others will say or think, and that's how I've always lived. Sometimes, this has ended up hurting me, and other times, it has helped me, but I think you can never forget who you are, and I've always been myself, and that one of the things I'm most proud of.
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