A Quote by Paul Weller

I suppose I was much more serious-minded in the '70s and '80s. — © Paul Weller
I suppose I was much more serious-minded in the '70s and '80s.
In the '70s, terrorism was much more serious, in that many more people got killed.
The '70s just seemed dirty, honestly, and not in an interesting way. It's not the '80s. In fact, it's 10 less. I grew up in the '80s, so that's more of an interesting time to me.
The people are maybe still as aware of the differences but they are more accepting of it that what we saw in the 70s and 80s, but the undercurrent is still there. There are maybe no racial slurs anymore, no firecrackers in mailboxes, the distinction is much more subtle.
I am an old-school guitar player. I'm not an '80s-'90s sort of shredder who plays a million notes a minute. I am way more '60s-'70s kind of style, and I write very '60s-'70s.
As someone who went to school in the '70s and '80s, I can't say that I noticed much of a 'medals for all' culture myself.
In Australia in the '70s, there was a real embrace of different genres. And then George Miller did 'Mad Max' by the end of the '70s, the beginning of the '80s. And it was really thriving.
The gospel funk soul era, that's what I'm obsessed with - pretty much all the '70s through early '80s.
I'm like an '80s kid. I was born in the mid-'70s. By the time the '80s kicked in, I'm listening to Dead Kennedys, but I'm also listening to Simple Minds.
We didn't have much money growing up, so we hopped around L.A. a lot in the '70s, '80s and '90s. I'm very familiar with the shifting culture there.
So much has changed since the '70s and '80s when it comes to acting and being in the public eye. We'd go out to a restaurant, and there would be five or six people. Now there's a lot more, plus social media, and this desire to bring other people down.
For me it's a dedication to your real interests. It's an ability to be open-minded. Without an open-minded mind, you can never be a great success. The great artists have been open-minded, even though they may seem, like Picasso, to be very directed, you can be directed and open-minded at the same time. I think you have to be really intensely serious about your work, but not so serious that you can't see the lightness that may also involve your life. You have to have that lightness too. You have to not be so heavy-handed and so ostentatious. It's very important not to be.
I remember that my dad worked on cars from the '70s and '80s, and that's where my love came from: appreciating - even if it was a piece of crap - how much he loved American muscle.
When I began writing poems, it was in the late 60s and early 70s when the literary and cultural atmosphere was very much affected by what was going on in the world, which was, in succession, the civil rights movement, the antiwar movement, and the women's movement in the 60s, 70s, and into the early 80s. And all of those things affected me and affected my thinking, particularly the Vietnam War.
I always say that I was born in the wrong era. I should've been born in the '70s or '80s when love meant so much more than it does today. In this busy world, we forget to find each other, fall in love, and go all the way for our soul mates.
I was into fantasy more than horror. I was growing up in the mid-'70s through the '80s, and I also got a healthy dose of that classic era of film.
Direct mail was the basis of a lot of new Right organizations in the '70s and early '80s, and it actually led to the downfall of the majority of them. It's very expensive, and you end up putting your organization more and more in debt if you're not successful with it.
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