A Quote by Paul Weller

I think I come from a time when all the artists I grew up with and I loved always used to try and push the boundaries, and there doesn't seem so much of that, really. — © Paul Weller
I think I come from a time when all the artists I grew up with and I loved always used to try and push the boundaries, and there doesn't seem so much of that, really.
I learned a long time ago to be honest when I'm talking to other artists. Up-and-coming artists used to come and say something, they would have a demo reel, and I would try to tell them the truth. I don't go up and say something unless I really feel it.
I have always been down to test what I can do and push the limits of my acting. I have always wanted to try new genres and stuff - but I love comedy. I grew up on comedy, and I love having a good time and making people laugh. But it is also really nice to switch it around and make people think and feel some darker emotions.
I think when I was young, let's call it high school, and even before that, I just loved comedy, and I loved comedians. I grew up watching Laurel and Hardy. That's really a long time ago. I loved Jerry Lewis. I just loved comedians.
That's what all art's about - a sense of moving away from boundaries that you can't in real life. Like a dancer is always trying to fly, really - to do something that's just not possible. But you try to do as much as you can within those physical boundaries.
I grew up as a step-kid, always a little outside, always trying hard to follow and fit in. But over time, I've come to feel that my tendency toward self-erasure is a deep and real part of me. I think I'd be this way no matter how I grew up.
Artists are free to push boundaries to make art. But when pushing boundaries is their only aim, the result is usually bad art.
I think being born in America and growing up exclusively within the American boundaries of race and race oppression is a very different experience for those of us who grew up under the boundaries of race and race experience in the Caribbean or for those who grew up in Africa.
Image and music always works together for me. I think they're equally important and I've always done things in a way that people remember them by, but I don't set out to just shock people...because that's very easy, a lot of people could do that, I just like to do things the way that makes me happy really. And sometimes that's too much for certain people, but, you know, I try to push the envelope to make the boundaries wider as far as what you can and can't do in music.
I think Cormier is gonna come out and try to wrestle me, try to get me tired, and try to push the pace. I know he might not say that I'm on his level but I think I am and he thinking that I'm not, really.
When I was younger, I was always that person that loved to get stuck in. When my mum and grandma used to come and watch me, I used to make sure that I wouldn't let anybody push me around and not let anybody bully me.
I think one thing I wish would be a little different, and it'll take time, is yes BLACKPINK, BTS, these teams are taking over the world and they're everywhere, but I think at a certain point we need to really push for other artists as well, and really help bring them up further, for this to be a sustainable industry, a sustainable genre.
I really love Linkin Park, and I loved Chester Bennington, and it is horrible what happened to him. I grew up listening to him because my dad would make these mixtapes with a lot of different artists - Linkin Park, Avril Lavigne, The Beatles, Sarah McLachlan, I just really loved Linkin Park, and their production is really sick.
As I grew up, I played in sandals. I played in flip-flops all the time back in the day. That's why I didn't really care about spraining my ankles. When I first started in the NBA, I loved low-cuts. I can play (in them), because I used to grow up playing in flip-flops all the time.
I grew up with my dad. I'm an only child. My father was a cowboy, and he really loved me very much, but I think he wanted a son occasionally.
I grew up watching guys - like, I loved Mick Foley's ECW promos; I loved CM Punk's promos. There's this guy, Eddie Kingston. He was just a fantastic talker, so I used to study and watch him. I mean, gosh, there's just such a big list of guys who I used to study. I used to watch promos as much as I did matches.
My dad really wanted to work in Tokyo and he made it happen. That's important in the way that I grew up. If my parents wanted to do something, then they would do it, and they always push me to try things, to not be afraid of changes and to go out in the world and not be bound by what we're supposed to do.
This site uses cookies to ensure you get the best experience. More info...
Got it!