A Quote by Paul Wernick
There are times through the process that you just think, "Is this all worth it?" It's very, very difficult to get a movie made, and it's very difficult to get a movie made that turns out well, and that fans love, and that the marketing gets right.
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We're producing a movie now, 'The Onion' Movie, and it's very difficult for me to be on the set. If I'm not right in the trenches, it's very difficult for me to watch another director, because I'm not involved and it's not exciting.
Very difficult to understand American audience, what they like, what they don't like. Some movie I like very much, it doesn't work. Some movie I don't like, it gets big box office. Very difficult.
I made a movie where I played a girl that just got out of prison and we shot it very very quickly but very intensely-that took me a long time to get over.
Theoretically, I could do a movie, but the window is so small, it's very difficult to get timings right and find the right project you love, and they love you back.
I had the opportunity to work with Aliens and Predators when Resident Evil 2 was being made and it was for two different studios. It was for Fox and Sony. They don't care about one another. They just want their movies. So it was very difficult to delay one and... So I had to make a very painful decision to kind of step away from directing the second movie and with the third movie it was the same.
I've made movies that I thought were okay, but then I was very good. And sometimes you're in a movie and you think, 'I wish more people saw that' - because you're good. And it just works out that the movie gets lost. But that's show business.
You live and die two or three times making a movie. First, you write it, and the first pivotal moment comes when you can get it made. The second is in the process of making it, when the movie reveals itself to you, its flaws and its virtues. Then the most unnerving moment is when that movie is then launched into the world. It’s like bringing your kid to the first day at school and somebody points out that it has bowlegs, it is cross-eyed, or it’s gorgeous. You feel very exposed.
I've made movies that I thought were good. I've made movies that I thought were okay, but then I was very good. And sometimes you're in a movie and you think, I wish more people saw that - because you're good. And it just works out that the movie gets lost. But that's show business.
I've been failing for, like, ten or eleven years. When it turns, it'll turn. Right now I'm just trying to squeeze through a very tight financial period, get the movie out, and put my things in order.
It's very rewarding to see the movie, and it's very rewarding to make the movie, but playing the character [Riddick] is sometimes a lot more difficult than other characters because it takes so much preparation to get into that character.
There's something about seeing a movie that you like, and being able to see the scenes that didn't make it, just as a window into the process of how choices are made and how a movie is made. To me, the idea of getting to have the scenes on the DVD is very exciting.
The music comes first. When Geoff has made something the inspiration comes automatically. His music is very expressive. But still is is a very difficult process: I have to add something to his music, not push it away. It has to be equal, and I find that very difficult.
British ferries have stopped transporting live animals to the Continent. This has made it very difficult for England fans to get to Away matches.
I think we have to knock out ISIS. Right now Syria is fighting ISIS. We have people who want to fight both at the same time. But Syria is no longer Syria; Syria is Russia and Iran, who she made strong, and Kerry and Obama made into a very powerful nation and very rich nation very, very quickly. Very, very quickly. I believe we have to get ISIS.
Movie characters rarely get to think out loud or talk very much about their emotions. Instead they have to, very briefly, show their feelings through their action or through dialog.
I always worry that people are going to be very confused; sometimes timelines get confused with how movies get made. So when I say, "Oh, I made this movie when I was going through a divorce," people think, "Oh no! She's pregnant with a child and divorced?"
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