A Quote by Paul Wesley
I think any time anybody sees the bad guy show emotion and you're not hitting the audience over the head, there's always a tinge of empathy for that individual.
Related Quotes
Over the course of the game, you can't let negativity get in your head. Any time a guy playing negative upon emotion, it's not going to be a great day.
When you see Robert Englund in a movie, you think he is the bad guy, but if I'm not the bad guy, and I'm supposed to just kind of fool the audience, it makes it a lot easier for whichever actor is the bad guy. So I find myself doing a lot of those, I think they're called red herring characters, faking out the audience.
I think anybody with any intelligence sits down and sees Star Trek not a kids' show.
A good hitting instructor is able to mold his teaching to the individual. If a guy stands on his head, you perfect that.
If you're playing a good guy, you show some darkness. If you're playing a dark guy, you show something different, like humor, that will mix it up and hopefully surpass the audience's expectations. What I'm battling all the time is complacency in the audience. I try to bring a little mystery to what might happen because that engages people more.
No, but ..." But I had felt something from another person. Someone who spent time with Alec. The last card in my head flipped over. "I know who it is. It's him. That guy." "Of course," said Carter dryly. "I knew it was that guy. It's always that guy.
I love being the bad guy. I think that the audience prefer me as a bad guy.
I don't think you can beat your audience over the head with hard-hitting cartoons day after day after day.
Eddie Murphy was my guy for a long time. My first exposure to “SNL” was his “Best Of” VHS, and I would watch it over and over again. He was one of the few people on the show to play with the live elements, and engage with the audience.
Eddie Murphy was my guy for a long time. My first exposure to 'SNL' was his 'Best Of' VHS, and I would watch it over and over again. He was one of the few people on the show to play with the live elements and engage with the audience.
I am a woman, so I never want to hide that or be like, 'I'm one of the boys,' because I'm not. I am aware of our audience. We always aim for the right combo of not hitting people over head but still getting our message across.
Show me a guy who's afraid to look bad, and I'll show you a guy you can beat every time.
All the screen cowboys behaved like real gentlemen. They didn't drink, they didn't smoke. When they knocked the bad guy down, they always stood with their fists up, waiting for the heavy to get back on his feet. I decided I was going to drag the bad guy to his feet and keep hitting him.
Emotion is always multiplied in the art of a person who doesn't really show much emotion. It once expanded deep within his hidden soul, and following the downplay his audience is blown away.
Even as a boy, my dad always told me, 'Don't show emotion.' If I banged my cue, he would give me a row and say, 'Stop that.' Don't show any petulance. It was developed, certainly, but I think you have got to have it in you.
I think most actors probably enjoy playing the bad guy. I think it's the fact that most of the time, heroes aren't written with enough interesting qualities or flaws, and that leads to the bad guys being almost the runaway train, as far as being more interesting for the audience to watch.
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