A Quote by Paul Westerberg

Some records are timeless, and some absolutely sound of their day. — © Paul Westerberg
Some records are timeless, and some absolutely sound of their day.
I never want to go back and remix old records, either. If a record sounds shitty, that's just the sound it has. I just take it as part of the music. Some of my favorite bands - their old records sound terrible. But that's just part of the sound. If they were perfect, I'd probably hate them. Same thing with movies.
Some day Love shall claim his own Some day Right ascend his throne, Some day hidden Truth be known; Some day - some sweet day.
I have a high range. Sometimes I sound like Stevie Winwood. Some people say I sound like Peter Gabriel. Some of the songs I write are funky. Others are slow. Some are ponderous, and some are there to shock. I must say some are pretty damn good, too.
I put out records to this day that are not necessarily in a sequence of anything. Some could be written a while back, some not. There is no set pattern.
Some amazing records have this power to leave you with inspiration; you're left with the urge to write something. And some records are totally overwhelming, because they are so good, they burn the bridges behind them.
Some records with drum machines on them sound phony and plastic. It all depends on how you use the tools.
The thing about Shaggy's records are those records are very timeless.
At times the [radio telescope] records exhibited a feature characteristic of interference, occurring some time later than the passage of the two known sources. This intermittent feature was curious, and I recall saying once that we would have to investigate the origin of that interference some day. We joked that it was probably due to the faulty ignition of some farm hand returning from a date.
I was going to tape some records onto a cassette, but I got the wires backwards. I erased the all of the records. When I returned them to my friend, he said, "Hey, these records are all blank."
I belonged to the Columbia Record Club, and that's where my records came from. For some reason, I was in the 'jazz' category. I got Benny Goodman records and Miles Davis, J.J. Johnson and Kai Winding, and that kind of stuff. I really was not a jazz guy at all, but I knew some of those names.
Some had the custom of receiving the Eucharist daily, some twice a week, some on the Lord's day, Wednesday, Friday, and Saturday, some only on the Lord's Day.
Some people buy records just to dance to 'em. Some people buy records to listen to the radio. And there's people that buy records 'cause they listen to every song.
The instrumental record is a bit subtler. It's the kind of stuff on sound check, when I first pick up my violin and start to play, the kind of melodies that just pour out of me. Some of them sound very classical. Some of them sound experimental, polyrhythmic loops that I make.
During the course of a day, some dark feeling comes, maybe some sadness comes, some thrill, some great happiness, some strange humor. Cinema can embrace all that in one story, just as the story of life.
Unless each day can be looked back upon by an individual as one in which he has had some fun, some joy, some real satisfaction, that day is a loss.
For life is but a dream whose shapes return, some frequently, some seldom, some by night and some by day.
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