A Quote by Paul Westerberg
It's like, it's up to the people to fall in love with the song. The record company can only do so much.
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When I was growing up, you would put on a KISS record or a UFO or Aerosmith record and listen to it from the first song through the last song. It's been so long since a band has put out a record like that.
When you love what you do, you just really fall in love with it. Sometimes you record a lot more songs than the album will even hold. You record like 300 songs and only 12 songs go on the album. It takes time. But if you love what you do, it works out.
The people that only listen to one song from a record and flip around that much, if that's the only way they listen to music, they're probably the kind of people that like music as something to drive to, you know?
The record company's worst fear is that you'll fall in love or get rich.
If I'm going on any trip, driving music is key. Road Hammers is good driving music. I don't mind listening to my own stuff. You record it for a certain reason. You fall in a love with a certain song at a certain time and how you record it is a labour of love. You better love it.
My most successful song was 'Language' and I think partly because it's a nice, dancey record, but I'll see people cry in the audience to that song, and that's so much more interesting to me than making someone just jump up and down.
I don't like record company people very much, so I don't want to be one of them.
I've never had a relationship with a record executive. I always went to the record company by someone that liked my playing. Then they would get fired, and I'd be left with the record company. And then - because they got fired - the record company wouldn't do anything for me.
The people at the record company had asked me if I could write a song about my life, my relationship with God, and where I'm from. Well, I can't write a song on purpose, my songs come in a moment of inspiration or desperation.
I like to record something pretty much as soon as I have an idea for a song, but I'm on so many buses, I have to record on my mobile.
When you're in a start-up, the first ten people will determine whether the company succeeds or not. Each is 10 percent of the company. So why wouldn't you take as much time as necessary to find all the A players? If three were not so great, why would you want a company where 30 percent of your people are not so great? A small company depends on great people much more than a big company does.
There's benefits of having established artists on the record, Liam Payne on 'Polaroid' for example. If you look at that song you have Lennon Stella, who's an up-and-coming artist, so there's a balance on there because I still want people to focus on the song just as much as Liam being an amazing superstar.
Sometimes you fall in love with a song 'cause it's new, it's exciting and you just birthed it. Then you fall out of love sometimes. But the strongest songs always survive and you come back and you fall in love all over again.
So how do you fall in love with life? The same way you fall in love with another person -- you adore everything about them! You fall in love with another person by seeing only love, hearing only love, speaking only love, and by feeling love with all your heart! And that is exactly how you use the ultimate power of love in love with life.
Give me but a little cheerful company, let me only have the company of the people I love, let me only be where I like and with whom I like, and the devil may take the rest, say I.
I had a good record company right from the beginning, and I'm still with them after all these years. I think I may be the only person in the world that's had a tenure this long with any record company.
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