A Quote by Paul Young

My dad was a trained carpenter and worked for Vauxhall Motors. We had money, though not a great deal. — © Paul Young
My dad was a trained carpenter and worked for Vauxhall Motors. We had money, though not a great deal.
In the early 1970s, I got a milling machine apprenticeship at Vauxhall in Luton. My dad was a pattern maker at the factory. He worked every day of his life there and my brother worked there, too. I remember the pamphlets on all the new models arriving home.
I knew that the wall was the main thing in Quebec, and had cost a great deal of money.... In fact, these are the only remarkable walls we have in North America, though we have a good deal of Virginia fence, it is true.
Even as a child I knew I wanted to be a singer, and in 1976, at the age of 20, I quit my job at Vauxhall Motors in Luton and became a musician.
My father was a carpenter, a very good carpenter. He also worked for the Jones boys. They were not family members, we weren't related at all. They started the policy racket in Chicago, and they had the five and dime store.
My daddy was a carpenter that worked with the Jones boys, who are the most notorious in America. The black gangsters, you know, they were no joke. And he was their master carpenter. He used to build their homes, and all I saw when I was 11 years old were dead bodies and tommy guns and stogies, and backrooms, you know, Drexel Wine and Liquor, with the big piles of money underneath.
When I was young I trained a lot. I trained my mind, I trained my eyes, trained my thinking, how to help people. And it trained me how to deal with pressure.
A painter will paint a cobbler, carpenter, or any other artist, though he knows nothing of their arts; and, if he is a good artist, he may deceive children or simple persons, when he shows them his picture of a carpenter from a distance, and they will fancy that they are looking at a real carpenter.
My mother - it's not one of those waxing-poetic kind of things - she literally worked two or three jobs most of her life. So I personally experienced that, even though I had these great friends and associations who had unlimited amounts of money. That juxtaposition was an interesting one.
I'm formally trained, I don't know what classically trained really means. I've worked with Sanford Meisner. And I've worked at Circle Rep with Marshall W. Mason and Lanford Wilson and some really good people. I was lucky. I had a lot of really good influences.
My dad was a baggage handler at Heathrow and careful with money. He worked hard and had three jobs when I was young. I wish I'd inherited his care for money. Sadly, I've grown up to be rather scatty when it comes to finances.
It was great to go to Stanford. Until that point, I'd spent my whole life in southeast Michigan, working for General Motors. I was in a different part of the country. People didn't know what General Motors was, didn't care, or if they did, they might not have had a favorable impression. I saw people driving nondomestic vehicles.
I worked in sales. It was definable, it had a quantifiable approach to accomplishment that had a great deal of importance to me. It had a degree of clarity that I loved. And of course, it was core.
I had joined Yes in 1971. I was a classically trained musician who had worked with numerous artists as a session musician. I played on David Bowie's 'Life On Mars,' Cat Stevens's 'Morning Has Broken' and even on some Des O'Connor records, though I kept that quiet.
I had great parents, and they trained me well and instilled great values in me. They also taught me common sense about money and that I couldn't count on the good fortune of doing a show forever. Therefore, I never spent money I didn't have and didn't end up destitute like other child actors.
Had I had another year, I think I would've beaten [ Harry Carpenter] - and Larry Holmes even said that himself; that if I'd had another year to get ready I'd have beaten him. Me and he are good friends today though, and that fight was a great moment for me. I lost, but then I had to move on and get on with my life.
I gained a great deal from the period during which I worked in theater and I value those things a great deal.
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