A Quote by Paul Young

I look after my voice and I warm up... I tend to do it in the car, which must look a little strange! — © Paul Young
I look after my voice and I warm up... I tend to do it in the car, which must look a little strange!
The only thing my mum could afford growing up was to be able to look after me and my brother so the only thing that I wanted when I grew up was to be able to look after my mum. So when I could, I bought her a house and then I got her a car as well and I got her a little air freshener to put in her car and on it, it said "life is a journey not a destination."
Strange, he thought, how seldom people tend to look up" - Will
I had to get the voice back, the precise pitch of Sid's voice and I'd forgotten that I'd pitched him higher than my regular voice, so that was a little difficult to begin with. It was especially hard because we started recording in the morning so I had to warm up a lot and my usual voice is a little more gravelly.
It isn't easy for me to have contact with the industry, because it is so outdated. Look at General Motors, look at -Mercedes, look at Chrysler, look at Porsche, look at BMW . . . They are all building cars from yesterday! Nobody has an idea how the car of tomorrow should look. I've built them already. I have the prototypes in my exhibition, but they won't do it.
We must forget bodily consciousness like a deer which is infatuated by music. We must look up to God, as the young ones of a tortoise look up to their mother. As a fountain rises upwards, even so must one's spirit rise to God. One should entertain no idea whatsoever, except that of God.
Don't we look suspicious, the three of us just sitting here in the car?" Borden asked. We'd look a lot more suspicious if we were all three making out in the car," Jazz said. "What?" she added, when Borden turned and gave her a wide-eyed look. You have no idea what kind of happy place you just took me to." Shut up.
It's not a case of 'look at me in my car'; it's more, 'look at the car'. I like the idea of other people enjoying them, because everything has become a bit faceless and nobody likes the motor car any more.
All looked distant and peaceful and strange. The shore seemed refined, far away, unreal. Already the little distance they had sailed had put them far from it and given it the changed look, the composed look, of something receding in which one has no longer any part.
I tend not to look too much back; I tend to look forward. So, I suppose, I know, I've had probably most of my life, and there's less going forwards than there is going back, but I prefer to look in the future.
Cornering is like bringing a woman to a climax. Both you and the car must work together. You start to enter the area of excitement at the corner, you set up a pace which is right for the car and after you've told it it is coming along with you, you guide it along at a rhythm which has by now become natural. Only after you've cleared the corner you can both take pleasure in knowing it's gone well.
I don't care to be famous. But at the same time, you look at all the role models these little girls have, and they don't have anyone to look up to. I mean, it's weird, but if I just hid out and didn't let myself be known, who would they look up to instead, you know?
People constantly requesting government intervention are casting their problems at society. And, you know, there's no such thing as society. There are individual men and women and there are families. And no government can do anything except through people, and people must look after themselves first. It is our duty to look after ourselves and then, also, to look after our neighbours.
Loss isn't an absence after all. It is a presence. A strong presence right next to me. I look at it. It doesn't look like anything, that's what is so strange. It just fits in.
I like to have the widest part of the car being the wheels and not the body. It gives it a more athletic look and, with the sculpture, helps make a car look sexy.
You would have thought that as you got older the voice would tend to deteriorate in some ways, but I always look at somebody like Tony Bennett, who is my senior, and still can hit those high notes and still can belt it out as good as he ever did. So it must be something about the voice that's unlike the rest of the muscles in your body.
A lot of times people would offer me movies and, because I'm a car freak, I'd look in a magazine and say, 'How much is this car? If you give me this car I'll show up and do the movie' I call 'em 'sports car flicks'.
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