A Quote by Paula Abdul

I am in Toronto, shooting a movie for NBC. — © Paula Abdul
I am in Toronto, shooting a movie for NBC.
I was playing this sort of asshole actor [in The Jenny McCarthy Show]. And we shot the pilot, and it was a guaranteed go. It was going to be 24 [episodes] on the air. No questions from NBC. And we shot the pilot, and I was in Toronto doing a movie, and I got a call saying they cut the character, that I was off the show.
When you're done shooting, the movie that you're going to release when you're done shooting is as bad as it will ever be. And then through editing, and finishing the effects and adding music, you get to make the movie better again. So I'm really hard on myself and on the movie.
The FCC was founded in 1934, and their first major action was in 1941 when they broke up NBC. NBC used to be NBC Red and NBC Blue, and they broke them up for the same exact reason: that there wasn't going to be a diversity of voices and because they were vertically integrated.
There's a rumor that NBC is going to have Tom Brokaw fill in temporarily as the NBC News anchor. When asked why, a network spokesperson said, 'Because the only other NBC person we have is Bill Cosby.'
When I got back from shooting 'Deception,' I was under contract with NBC, so I can't really do anything.
You do need to edit yourself as you shoot because you have fewer options in a smaller movie. In other words, when I'm shooting a big movie, and I got an 85 day shooting schedule or more, then I'm saying I have enough time to shoot option A and B and C and D for every scene.
What's fun about shooting exteriors on the street in Toronto is that there are cable cars.
I know this is my hometown of Toronto, but I'm going to treat 'TakeOver: Toronto' like it's another night at the office. I'm going to prove why I am one of the best in the world.
MSNBC host Lawrence O'Donnell is saying Donald Trump lied when he said he made $20 million a year off his 'Apprentice' series on NBC. NBC also denied Trump's claim, saying, 'We don't have $20 million. We're NBC.'
Shooting at Quentin Tarantino movie was like a masterclass in directing. Although I went back literally right into rehearsal, started shooting... while I was doing it I had to write my Grindhouse trailer and I added two days of shooting. My brother was producing Hostel and the Grindhouse trailer and I was like: "Gabe, just figure this out!"
Literally, people probably came up with a budget and said, 'It'll be cheaper if we cut down the prep,' but it's not cheaper, because then you're shooting, you're fumbling through the movie and you are prepping at three times the cost because you're quadruple-time as you're shooting and then prepping after you're done shooting.
Scenes change while shooting. Nowadays, while you're shooting the movie, you're cutting at the same time.
My first-ever job in the movie business, I was an art student at Carnegie Mellon, and they were shooting the movie 'Gung Ho' in Pittsburgh, and I worked as an extra for a few days. Michael Keaton bumped into me in one scene, and it's in the movie. And I worshipped him.
If you are not in the red playroom of pain and pleasure, … shooting the movie is much like doing any other movie.
When you're shooting a movie, it's two months of your life usually. You don't really have time to see anybody else. Your friends are put on hold while you're shooting, and what you have is the family that you create on set.
I was going to have Brian La Croix do a cameo on Degrassi. But, unfortunately, the scheduling didn't work out. When I was in Toronto, they weren't shooting. To me, that would've been a pretty crazy meta experience.
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