A Quote by Paula Abdul

Constructive criticism is about finding something good and positive to soften the blow to the real critique of what really went on. — © Paula Abdul
Constructive criticism is about finding something good and positive to soften the blow to the real critique of what really went on.
You gotta deal with a lot of people, the naysayers... but I've always been the guy who kinda just smiles and laughs at it. I use it as constructive criticism to be honest. Whether they're intentionally trying to be kind of spiteful or not, it's constructive criticism because you can't say there's always truth to it but there's definitely something.
Utopians don't say, 'The world's corrupt, women make less money, people of color are oppressed at every turn.' You don't list the problems of the world; you describe a world in which those things aren't the case. The critique is implicit and as a result it's kind of a positive critique. You're not listing what's bad, but rather what would be good - you're oriented toward this positive vision.
Although the skills aren't hard to learn, finding the happiness and finding the satisfaction and finding fulfillment in continuously serving somebody else something good to eat, is what makes a really good restaurant.
The judges are fun because they bring different personalities. And it's also really exciting to work really hard all week and then have them either give really good praise or to give constructive criticism.
What I've really liked doing is combining what you might call art criticism or music criticism with something that is happening in real life.
Nobody wants constructive criticism. It's all we can do to put up with constructive praise.
The only way to make a criticism of something is to really participate in it. I'm a completely capitalist person. I participate in commodity culture and the fashion world. High art is a money-making vehicle. We're not making art in a vacuum. We're not shopping in the woods. These are all things that we do within the larger system of capitalism. For me to critique it, I'm also participating in it. That's obvious, I feel. In my work, I participate in the things that I critique. I satirize the things that I love and know well and find problematic.
I suspect that most authors don't really want criticism, not even constructive criticism. They want straight-out, unabashed, unashamed, fulsome, informed, naked praise, arriving by the shipload every fifteen minutes or so.
I take constructive criticism really well.
That was one of the big problems in the [Black Panther] Party. Criticism and self-criticism were not encouraged, and the little that was given often wasn’t taken seriously. Constructive criticism and self-criticism are extremely important for any revolutionary organization. Without them, people tend to drown in their mistakes, not learn from them.
The popular distinction between 'constructive' and 'destructive' criticism is a sentimentality: the mind too weak to perceive in what respects the bad fails is not strong enough to appreciate in what the good succeeds. To be without discrimination is to be unable to praise. The critic who lets you know that he always looks for something to like in works he discusses is not telling you anything about the works or about art; he is saying 'see what a nice person I am.
Nice criticism is good when it tells you something. A lot of negative "criticism" isn't criticism at all: it's just nasty, "writerly" cliché and invective.
Obviously, the good thing about golf, it's difficult to really, really blow it after five holes unless it goes really, really, really... really, really, really wrong. But you still have 13 to go, and if you have a good run, where you make five or six birdies, you can get it back somehow.
The Marxist critique is only a critique of capital, a critique coming from the heart of the middle and petit bourgeois classes, for which Marxism has served for a century as a latent ideology.... The Marxist seeks a good use of economy. Marxism is therefore only a limited petit bourgeois critique, one more step in the banalization of life toward the "good use" of the social!
My dad said: Now Teddy, you have to make up your mind whether you want to have a constructive and positive attitude and influence on your time. And if you're not interested in a purposeful, useful, constructive life, I just want you to know I have other children that are out there that intend to have a purposeful and constructive life. And so you have to make up your mind about which direction you're going to go. I remember getting - climbing into bed and staring at the ceiling for a good time, but the night hadn't been over when it was very clear to me what kind of life I wanted to lead.
Most of us have learned to be dispassionate about evil, to look it in the face and find, as often as not, our own grinning reflections with which we do not argue, but good is another matter. Few have stared at that long enough to accept that its face too is grotesque, that in us the good is something under construction. The modes of evil usually receive worthy expression. The modes of good have to be satisfied with a cliche or a smoothing down that will soften their real look.
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