A Quote by Paula Cole
Didgeridoo was something I picked up while I was on tour in Australia with Peter Gabriel in '93. I found out later that it's only meant to be played by men.
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My first job was a show called The Others. I had, like, three lines. Julianne Nicholson was in it, and Gabriel [Macht]. I remember Gabriel wasn't there the day I was, but he sent a note, because he went to Carnegie Mellon as well, so we knew each other a little bit through that, and he was so sweet and generous. It was meant to be a recurring role that would evolve on the show, but the show only lasted a little while and I ended up only doing that one episode.
I found while driving in Wyoming that wearing a stetson and driving a beat-up pickup meant you could go as fast as you like, while the police picked up Californian winnebagos that went one mph over 55. After all, they wanted to bring money into the state, not merely circulate it.
I listened to all those blues records. They were great - Clapton, John Mayall. Then eventually I heard Genesis with Peter Gabriel, and I didn't really understand the difference then, but something struck me about the inversions and the diminished chords... they weren't as bluesy, and I loved it. I found out, that was very baroque-influenced.
I will never forget the moment when Peter van Pels and I saw a group of selected men. Among those men was Peter's father. The men were marched away. Two hours later, a lorry came by, loaded with their clothing.
I've always played all the old songs. I'd go and see Peter Gabriel or Madonna and be surprised if they didn't play all the hits. People don't want to come and hear the B-sides.
He found it so easy and so pleasant to cry that he didn’t try to stop for a while, until he realized he was forcing his sobs a little, exaggerating their depth with unnecessary shudders. … The whole point of crying is to quit before you coined it up. The whole point of grief itself was to cut it out while it was still honest, while it still meant something. Because the thing was so easily corrupted
You have to remember that I played longer than anybody else on the main tour; I played until I was 40, and then played another six years or so on the seniors tour.
I taught myself to play guitar and sing. I ended up writing a lot of music and had a band and was playing in bars and pubs all around Sydney, going on tour. I played with some pretty big bands in Australia.
I learned from books that I picked up. That was something that just came out of nowhere but continued to be an attraction. So there was a continuum of my interest in the arts and involvement in creating that was strong enough that it later blossomed into much more.
I played didgeridoo from a young age - on the vacuum cleaner, initially.
He took a stance as a man, and the greatest thing about Peter Norman is when you sit back and think about Tommie Smith and John Carlos here in America, they could go beat up on Tommie Smith and get tired of beating up on him and go to the other side of town and find John Carlos and beat up on him, but when Peter Norman left and went to Australia, there was no switch-off on Peter.
I played with Prince in 2010... the America tour. The one with Misty Copeland dancing on top of the piano! But Prince played the piano on that song. But I played two dates with him on that tour. When we played the gig, every couple of songs, Prince would change his clothes.
Didgeridoo is a name that white people gave it when they came to Australia, from the sound that it makes. Its traditional name is yidaki.
For many years, I picked the wrong men, or they picked me. I think if you don't feel attractive or worth something as a woman, you attract men who don't really look after you. That's what happened to me, but I realise that those relationships were like a journey, helping me to learn something about myself.
I picked up the guitar at 12 yrs old - basically, my mother and father bought it for me for Christmas. I played one at my friend's house; when I say played it, I just played around with it at my friend's house. It just struck me as something I really wanted.
I can almost see what Gabriel meant when he asked, 'What has the free world got that you can’t get here?' Almost. Freedom, Gabriel. That’s what you can’t get here.
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