A Quote by Paula Deen

There's so much going on. I almost never have a moment. — © Paula Deen
There's so much going on. I almost never have a moment.
There was never much question as to what I was going to do in life, because working with clay was what I could do . . . there are things I watch my hand do that are almost thoughtless. I can remember the moment of learning them. It is knowledge you have in the hand.
I have never appreciated a quiet moment with a friend as much, a quiet moment with a book and I think part of that is my obsession with being older and time going faster and it's become increasingly sweeter for me.
It's almost like you see too much, because when it happens for real, everything flies at you so fast, you never get a sense of the ice and where everyone is at that one moment.
Greed arises only because your present moment is empty, and to live in an empty moment hurts very much. To forget it you project greed into the future, thinking that tomorrow things are going to be better, a lottery is going to open in your name. But of course you have to wait for tomorrow, it cannot be just now - and tomorrow never comes. All that comes is always the present moment, which is empty. Greed is because we don't know how to live the present moment in its total richness.
The Senior Moment has become the Google moment, and it has a much nicer, hipper, younger, more contemporary sound, doesn't it? By handling the obligations of the search mechanism, you almost prove you can keep up.
I've never met anybody who enjoys every moment of making a movie as much as Pierce Brosnan. He doesn't stress out too much, he is always in a good mood. And he has little rituals throughout the day, which he does with a lot of style - almost like he is celebrating life, not just the work. He has to have his special cup of tea, in nice china, not Styrofoam.
People who are thinking about your music almost as much as you are, that almost never happens.
The funny thing is that I almost find it more difficult now to take a still picture than to be behind a moving camera. I'm just so much more inspired and comfortable and confident when I have that whole operation going. I feel more connected. Snapping a moment doesn't seem relevant to me anymore.
I've never really had much of an imagination. But still I would try to picture the exact moment when the beating of my heart would no longer be going on inside my head.
One moment it was there, another moment it is gone. One moment we are here, and another moment we have gone. And for this simple moment, how much fuss we make! How much violence, ambition, struggle, conflict, anger, hatred, just for this small moment! Just waiting for the train in a waiting room on a station, and creating so much fuss: fighting, hurting each other, trying to possess, trying to boss, trying to dominate - all that politics. And then the train comes and you are gone forever.
Life is made of moments and choices. Not all of them matter, or have any lasting impact Then there's a different kind of moment. One when things are irrevocably changed by a choice we make. A moment we will play endlessly in our minds on lonely nights and empty days So we explain it to ourselves, justify it enough to sleep. And then we bury it deep, so deep we can almost pretend it never happened. But as much as we wish it were different, the truth is, our worlds are sometimes balanced on choices we make and the secrets we keep.
Television is all about sound. You'll never get a moment of silence unless there's something really extraordinary going on, on screen, visually. They never let a moment of silence pass without being filled in television because it's a very sound-driven medium.
We are here to live moment by moment, and each moment brings a task, a challenge, a goal. It's good to have big goals, but we need to connect the dots between where we are and where we are going, one day, one moment at a time.
To express dynamic motion through a static moment became for me limited and unsatisfactory. The basic idea was to liberate myself from this old concept and arrive at an image in which the spectator could feel the beauty of a fourth dimension, which lies much more between moments than within a moment. In music one remembers never one tone, but a melody, a theme, a movement. In dance, never a moment, but again the beauty of a movement in time and space.
Writing original songs is much, much harder (I think) because you only have yourself to conjure up EVERY single moment a listener is going to hear. It's a craft that goes directly from your brain to their ears. You can never be sure that what you're writing is gonna be good enough to keep a listener engaged and truly experience something. It's a shot in the dark.
Well, well. IM (and correspondence GM) Douglas Bryson once told me that he almost never plays a game that flows smoothly from start to finish; there is always a "moment" of sorts where someone misses a big defensive opportunity or the nature of the position changes more than one might reasonably expect. This was such a "moment".
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