A Quote by Paula Fox

In my early twenties, that's when I really began to write. Before that, I was too busy working, keeping myself going. — © Paula Fox
In my early twenties, that's when I really began to write. Before that, I was too busy working, keeping myself going.
I didn't really have anyone in particular who inspired me or that I found fascinating as a kid. It wasn't until I was in my early twenties that I began to find people - and they were all historic figures - that I began to relate to and find some inspiration in.
We hurt people by being too busy. Too busy to notice their needs. Too busy to drop that note of comfort or encouragement or assurance of love. Too busy to listen when someone needs to talk. Too busy to care.
I was in my early thirties writing about my early twenties, so there was this way of seeing my younger self from enough of a distance to have perspective but also not to feel that I had to protect myself. My dreams for myself then would have undersold myself in a way.
In my early twenties, the whole experience of going on tour was like losing myself in this slightly wild environment.
I write incredibly slowly. And, on top of that, I spent my entire youth and twenties working like a dog, so one of the things that happened when I finished 'Drown' was that I got busy living. I'd never travelled, I'd never seen anything. So I did as much travelling as my job teaching would allow.
I write incredibly slowly. And, on top of that, I spent my entire youth and twenties working like a dog, so one of the things that happened when I finished Drown was that I got busy living. I'd never travelled, I'd never seen anything. So I did as much travelling as my job teaching would allow.
The great thing about an independent film is that you're too busy working, and you're too busy hoping to God to get it done.
After 2019, one thing that really stood out to me was, early on, not going too hard at the ball and allowing myself to get in without too much risk.
Any time you write history, you insert your opinion. You pick and choose what you are going to write about. I feel really happy not inserting myself. I spend too much of my life inserting myself. It's just great to let other people carry the narrative.
MIA stands for 'missing in action,' which is the way others can experience you when you're too busy multi-tasking, being pulled at by the world and by everything that's going on in your head, and, essentially, when you're too busy being busy.
I think there's an audience for The Wombles at almost all levels. We thought it was going to be confined to people in their late twenties, early thirties, who remembered it from before - they were maybe 10 or 12 in the Seventies when it was happening.
The problem is, I don't think I've got too much to offer at the minute. I'm busy working on myself. This sounds like real therapy talk, but it's like, you've got to be happy with yourself before you can go out and get yourself a girl.
I've been writing as long as I've been able to form words. I never wrote with an idea of publishing anything until I began working on '[To Kill a] Mockingbird'. I think that what went before may have been a rather subconscious form of learning how to write, of training myself.
I didn't do any writing seriously until I was in my mid-twenties. But I've never really thought of myself as doing anything else. I've always wanted to write.
People who are busy and happy don't write diaries; they are too busy living.
There's constant drama, and I'm busy, busy, but at the center of the madness is the desire to write, the need to write. That desire, that need, is as palpable and relentless as any junkie's craving, and will possess me all day until I can park myself in a chair and do my work.
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