I don't have a partner, so I take care of the mortgage by myself, and I was thinking, 'Oh God, I'm going to have to sell the house or find a new career.' I was not in a good place, but it was a real spur to get 'The Girl on the Train' right. I had to nail it and do it really well. It really concentrates the mind, that kind of thing.
I'm not lazy, but I don't have that spur on my ass that most people have, like, "Oh, god. I have to get something out or else my career will be over!" I don't really care if my career is over.
I do sometimes wonder if people think, 'Oh we'll have her because she cries well.' The odd thing is I don't really know where it comes from. If the script is good, I find I can usually cry without too much trouble - in fact, the hard thing is trying to get me to stop. But I'm not really a crier in real life. I'm not a dramatic person, you see.
I really am a person that tries to take care of everyone before I take care of myself, so it's actually a new thing in my life that I'm really trying to take time for myself. I'm finding that it's helping so much to be a better person individually, but also a better wife and mother.
The destination you think is going to make you happy, doesn't. I always find myself thinking, "I'm getting ready right now, but when I get to the party it's going to be great!" Once at the party, I find myself going, "Man, can't wait to get in bed tonight. I'm pooped." It's like that with my career, too.
I've had people say, 'Oh you've made whistleblowing cool.' But it's really not. It's a good thing to do. And it's the right thing to do. But it's arduous and difficult, particularly if you are going up against something that's really powerful and political.
I've worked with Jack Nicholson and Robert De Niro and Tom Hanks. I've worked with some really good directors: Woody Allen, Paul Schrader... My God, I've really worked with a lot of people. But I'm intimidated by them, and I'm always thinking, "Oh, my God, he's not going to like me, and I'm going to get fired."
I really asked myself, “Oh, my god, how am I going to do this?” That’s what I aspire to, every time I take on a new role.
I remember kind of doing early acting and thinking, "God, they don't paint behind the sets." It's a bit of a shame, really - "Oh, what's on the other side of this wall? Oh, you can see the plywood." I was really disappointed. I just thought that these things were real, from watching things as a kid.
I remember kind of doing early acting and thinking, 'God, they don't paint behind the sets.' It's a bit of a shame, really - 'Oh, what's on the other side of this wall? Oh, you can see the plywood.' I was really disappointed. I just thought that these things were real, from watching things as a kid.
I was a mama's girl. So when I had to go to Korea without mom, I felt that I had to take care of myself now. I was 14, such a kid. I didn't speak any Korean. I only knew how to say 'hello,' so it really was a new start.
During my career as a standup and actor, I realized it was very frustrating for me to get hired because Hollywood was hiring a different kind of brother, you know, and I was doing political humor... In order for me to really have a long career, I'm going to have to learn how to write and produce for myself... I had no idea I was really going to like it and I'm very fortunate to be successful. But the idea was to always eventually create something for myself. That was the idea from the beginning when I went into writing and producing.
You know, when I am working, I take really, really good care of myself. I eat really well, and I exercise, and again, I have this team of people pulling me together every day.
Sometimes we work so fast that we don't really understand what's going on in front of the camera. We just kind of sense that, 'Oh my God, it's significant!' and photograph impulsively while trying to get the exposure right. Exposure occupies my mind while intuition frames the images.
Well, I'm kind of an urban girl, I like big cities. I like New York, I like London, I like L.A. I like people, I get lonely, really, really easily. But, I think it was good. It was very different and I think that's good.
Entrepreneurs don't really make mistakes, though. We just make decisions that seem right at the time, but which sometimes turn out to have been the wrong path to take. For example, we allowed a buyer to place a huge opening order and later had to take some product back. We didn't have our sell-through programs in place, so in hindsight, it would have been wiser to sell in less product at the outset. The scary thing is you are always making decisions without knowing the future.
I'm kind of a good girl - and I'm not. I'm a good girl because I really believe in love, integrity, and respect. I'm a bad girl because I like to tease. I know that I have sex appeal in my deck of cards. But I like to get people thinking. That's what the stories in my music do.