A Quote by Paula Hawkins

When I'm writing, I don't read much crime at all - you don't want to get distracted by other people's plots. — © Paula Hawkins
When I'm writing, I don't read much crime at all - you don't want to get distracted by other people's plots.
You learn so much with each book, but it's what you teach yourself by writing your own books and by reading good books written by other people - that's the key. You don't want to worry too much about other people's responses to your work, not during the writing and not after. You just need to read and write, and keep going.
I've read crime fiction all my life. A thing that's bothered me about crime fiction is that it's generally about one or two people, but there's not much about society. I want to get away from that particular pattern: a lead, a supporting role and backdrop characters.
There's a real danger when people get distracted by peripheral issues. They get distracted by democracy building. They get distracted about military conflicts. We need to focus on defeating jihadism.
I often tell people who want to write historical fiction: don't read all that much about the period you're writing about; read things from the period that you're writing about. There's a tendency to stoke up on a lot of biography and a lot of history, and not to actually get back to the original sources.
I don't really read as much as I used to. A lot of what I was looking for as an escape I find in writing. And the other thing is that I don't want to get into someone else's language when I'm working.
I don't really read as much as I used to. A lot of what I was looking for as an escape I find in writing. And the other thing is that I don't want to get into someone else's language when I'm working
Certain readers will read my book not because they are interested in Iraq, but because they read crime fiction. I did want to get beyond just speaking to other Middle East scholars, so I'm happy about that. But this was, nonetheless, a novel I wish I got to read in Arabic and translate.
I haven't thought about writing so much as potentially producing and finding my own projects to get into production. I want to be able to buy the rights to a story that I have read or a book that I have read.
I think the most important thing is just to write. It sounds so simple, but sometimes it's not. You can get so distracted - -by having to work other jobs, or what other people have to say about your writing - -but the one thing that really matters is that you just keep going, especially when you're working on a novel. It's so easy to get discouraged and give up.
My influence is probably more from American crime writers than any Europeans. And I hardly read any Scandinavian crime before I started writing myself. I wasn't a great crime reader to begin with.
If you want to be a writer, don't worry so much about writing. Read as much as you can. Read as many different writers as you can. Soak up the styles.
I read the script first to get the perspective on the whole story, the writing, and how the character I'm auditioning for is talked about by other people or relates to other people; from there, I go into the sides.
God doesn't want religious duty. He doesn't want a distracted, half-hearted, 'Fine, I'll read a chapter...now are You happy?' attitude. God wants His word to be a delight to us, so much that we meditate on it day and night.
Read. Read. Read. Read many genres. Read good writing. Read bad writing and figure out the difference. Learn the craft of writing.
Writing books that people want to read is helpful - my most successful book is my only police procedural, a very popular subgenre of the very popular crime fiction genre.
I personally like to talk to people when I'm not doing a scene, still acting as if I'm in Gotham when I'm on set because I don't really like to break character, since I sometimes get distracted. I may get distracted when I'm talking to people and having fun; then I have to check myself.
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