A Quote by Paula Hawkins

I was kind of broke . 'The Girl on the Train' was a last roll of the dice for me as a fiction writer. — © Paula Hawkins
I was kind of broke . 'The Girl on the Train' was a last roll of the dice for me as a fiction writer.
If you roll dice, you know that the odds are one in six that the dice will come up on a particular side. So you can calculate the risk. But, in the stock market, such computations are bull - you don't even know how many sides the dice have!
It's a roll of the dice in the movie business. I mean, every single movie is a roll of the dice. Any movie on paper could look like it's going to be fantastic. You know what I mean?
I wanna roll it, roll it, roll it, roll it. Is all I wanna do, for you baby. Girl, it's something kind of sexy. Goin' on about you babe.
As a fiction writer you train yourself to think about situations subjectively. I don't really care for narratives that are just A, B, C, D, and then E. I like the aura that fiction has, how it can conjure up dream imagery. It's a sort of emotional speculation that you can shape and work with.
Maybe the thing to do after you roll the dice-and lose-is simply pick them up and roll them again.
Please let me go." "Anna." He lowered his brow to hers. "Don't ask me to do that, because I don't think I can live without you. Take a chance, roll the dice. Come with me.
Creative non-fiction is such a liberating genre because it allows the non-fiction writer, whether he or she be journalist or essayist, to use all of the techniques of the fiction writer and all of the ideas, creative approaches, that fiction writers get a chance to use, but they have to use it in a true story.
I loved 'Dungeons & Dragons.' Actually, not so much the actual playing as the creation of characters and the opportunity to roll twenty-sided dice. I loved those pouches of dice Dungeon Masters would trundle around, loved choosing what I was going to be: warrior, wizard, dwarf, thief.
I loved Dungeons & Dragons. Actually, not so much the actual playing as the creation of characters and the opportunity to roll twenty-sided dice. I loved those pouches of dice Dungeon Masters would trundle around, loved choosing what I was going to be: warrior, wizard, dwarf, thief.
I collect dice and I collect coins. I travel the world so I love dice, I always have dice on me. I collect magnets as well.
But I've been traveling on a boat and a plane, in a car on a bike with a bus and a train. Traveling there, traveling here, everywhere in every gear. But oh Lord we pay the price, with the spin of the wheel with the roll of the dice. Ah yeah you pay your fare. And if you don't know where you're going, any road will take you there.
When you're an actor who just got his first big chunk of change, and you're like, 'What do I do with it?' you try to look at Silicon Valley, and the learning curve is so huge. Especially on the investor side. I don't want to say it's like Vegas, in a sense, but you do kinda roll the dice on some companies. It's like educated dice rolling.
In a sense, journalism can be both helpful and detrimental to a writer of fiction because the kind of writing you need to do as a journalist is so different. It has to be clear, unambiguous, concise, and as a writer often you are trying to do things that are more ambiguous. I find that writing fiction is often an antidote to reading and writing too much journalism.
I have one final hope, If I get double sixes, maybe he will change his mind, come back to me. As if to cast a magic spell, I blow on the dice just as Dex did...Just as it happened with our first roll, one die lands before its mate. On a six! I hold my breath. For a brief second, I see a mess of dots, and think I have boxcars again. I kneel, staring at the second die. It is onle a five. I have rolled an eleven, It is as if someone is mocking me, saying, Close, but no dice.
There's the fact that American fiction is basically the most apolitical fiction on the globe. A South American writer wouldn't dare think of writing a novel if it didn't allude to the system into which these people are orchestrated - or an Eastern European writer, or a Russian writer, or a Chinese writer. Only American writers are able to imagine that the government and the corporations - all of it - seem to have no effect whatsoever.
I always wanted to be an actor, but with a speech impediment it's kind of tough. I decided to roll the dice and take an acting class, which was very, very nerve-wracking... my stomach would just be in knots.
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