A Quote by Paula Malcomson

I like living with a character for a really long time and what can open up with that. — © Paula Malcomson
I like living with a character for a really long time and what can open up with that.
Working in television it's really great to be able to stick with a character for a long period of time. It's not like you have one shot, and that's it. You have more time, more room, an ability to reflect on your performance and the character and how much has really been shown, and what you'd like to see. It's nice. You have more breathing room.
You want to be challenged, so you feel like you want to get up and wrestle with the character or enjoy the character - especially with a TV show, because you know you could be doing it for a long time, so you want to make sure it's something you really enjoy.
I'd never imagined myself in a band. So the fact that I've had such a long career without really naturally pursuing it is really astounding. It's taken me a long time to accept what I do for a living and actually feel like I have anything of value to add to the equation.
I honestly do think that every character - you pick up the things, little things that you like about them in your life. Especially if you play a character for a long time.
Well, I've been politically involved for a really long time. Growing up in the segregated South, it was a very painful experience for me to live through the open racism of the time.
When you play a daily soap character that character lives with you for a really long time.
One thing that I've been doing for a long time is to wake up really early. I try to get up around 4 or 5 in the morning, long before most of my lab members are up, which gives me some quiet time to really think without distraction. I think that's important.
I think it's really great to be able to stick with a character for a long period of time. It's not like you have one shot, and that's it.
I think there's something really positive about getting to explore a character for a long time on a TV show and live with that character and live with the choices they make, but it's also really great to step in.
That's what's so great, I get to play any character in the world. And I think that's one of the things that makes doing 'Comedy Bang Bang' or other improv podcasts so fun, as well as my own, is that you can really explore a character deeply for a long period of time that is nothing like yourself.
Maybe one night I’ll be asleep and I’ll feel a hand like a dove on my cheekbone and feel her breath cool like peppermints and when I open my eyes my mom will be there like an angle, saying in the softest voice, When you are born it is like a long, long dream. Don’t try to wake up. Just go along until it is over. Don’t be afraid. You may not know it all the time but I am with you. I am with you.
It's an interesting opportunity to do a long-form character and really have the time to find the nuance over an extended period of time. You can really dig deep.
I remember doing stand-up at an open mic a long time ago, and the MC was like, 'Who's next?' I said, 'Marietta Sirleaf,' and he was like, 'What?' And I was like, 'Ugh, okay, just Retta.' It stuck with me ever since.
Living with kids is like living with a bunch of drunks. You know you really have to be on your toes all the time. Things are falling over and breaking and spilling. If you live on the second story, you really have to keep the windows shut all the time.
I've always been really opinionated, and mixed with being really open hearted, open to people shifting what I think all the time, but I like to speak with conviction.
I love improv. 'Crazy, Stupid, Love,' the script was really great, but the directors were open to letting you try different things. And that felt like a muscle I hadn't exercised in a really long time.
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