A Quote by Paula Malcomson

Cursing is heavily used in the Irish language. It's not a stretch for me, and I have no qualms about it. It doesn't fall far from the real me. — © Paula Malcomson
Cursing is heavily used in the Irish language. It's not a stretch for me, and I have no qualms about it. It doesn't fall far from the real me.
Inherently in us as Irish people, wherever you are in the world, when you hear an Irish accent, it's like a moth to a flame. There's a real personable pride and camaraderie about being Irish.
It's a very charming movie about the mob - a real stretch for me.
I thought I'd miss cursing, but I actually don't. I still feel like I can get my point across without real harsh language.
James Joyce's English was based on the rhythm of the Irish language. He wrote things that shocked English language speakers but he was thinking in Gaelic. I've sung songs that if they were in English, would have been banned too. The psyche of the Irish language is completely different to the English-speaking world.
Writers used to make such wonderful pictures without all that swearing, all that cursing. And now it seems that you can't say three words without cursing. And I don't think that's right.
Although the Irish language is connected with the many recollections that twine around the hearts of Irishmen, yet the superior utility of the English tongue, as the medium of all modern communication, is so great that I can witness without a sigh the gradual decline of the Irish language.
No one would ever cast me as an aristocrat. I think the big thing about being an Irish artist is access to melancholy. Especially the American Irish. The availability of loss, some kind of pain, is an important part of who we are. I think my Irishness gave me that.
I always gravitate towards anything from Ireland. With Irish lit, I love the use of language, but also in many instances, the Irish writers are writing about people and circumstances that I can relate to.
Recording a Hindi song takes me around 40 minutes whereas a Kannada song takes me about two hours. The music isn't a problem, since the notes used are universal. The language is the problem. I try my best to get it right, as I'm sensitive about respecting every language, since all of them are sacred in my heart.
I don't think Ireland has really embraced me, but it is not really for me to say. Obviously, people shouldn't embrace me just because I'm Irish, but it is where I'm from. I'm extremely proud to be Irish.
It's a great stretch for me to do my game show. It's very hard. It's not me at all. The only part that's me is sort of when I'm sitting in the booth looking tormented. That's the only part that's the real me.
My natural tendency is to fall in love with language and character and setting, and kind of forget about pacing. Narrative tension doesn't come naturally to me, and if it does feel fast-paced that makes me incredibly happy.
When people say stuff to us casually in reviews, if they write about it in a condescending way with really gendered language, that's not really about me. It used to hurt my feelings more than it does now. That's not about us as a band or me as a person. That's about how you feel about women, and that's a societal thing.
I realized I was growing up or something like that. You have responsibilities...you've got to think about getting your act together. I didn't even know what it had been doing to me. I didn't realize how dangerous it was. People talked in terms of drugs and I used to think in terms of...well in Ireland, everybody drinks. Nobody gives it a second thought. You're Irish number one and you're a drinker number two. That's the first two things about us Irish.
I am Irish by race but the English have condemned me to talk the language of Shakespeare.
When I started using 4chan heavily, my whole life became about the Internet. And my real life stopped mattering to me.
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