A Quote by Paula Modersohn-Becker
In art one is usually totally alone with oneself.
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I remember the horror story that I told myself over and over again. I'm totally alone in my body. I'm totally alone in my head and nobody will ever see through my eyes. I'm just completely alone.
If to talk to oneself when alone is folly, it must be doubly unwise to listen to oneself in the presence of others.
One's art is just one's effort to wed oneself to the universe, to unify oneself through union.
I think one of the things that I took from Mel [Bochner] specifically was his ability to look at oneself and one's relationship to the history of art and the practice of art at arm's length, the ability to sort of clinically and coldly remove oneself from the picture and to see it simply as a set of rules, habits, systems, moving parts.
It is as commendable to think well of oneself when alone, as it is ridiculous to speak well of oneself among others.
Productive work, love and thought are possible only if a person can be, when necessary, quiet and alone. To be able to listen to oneself is the necessary condition for relating oneself to others.
Every acceptance of suffering is an acceptance of that which exists. The denial of every form of suffering can result in a flight from reality in which contact with reality becomes ever thinner, ever more fragmentary. It is impossible to remove oneself totally from suffering, unless one removes oneself from life itself, no longer enters into relationships, makes oneself invulnerable.
It's pretentious to say, but my art is like a little Zen story, a story with a question mark at the end. People can take from it what they need. If somebody says, "Your art is very funny," I say, "You are totally right." If somebody says, "Your art is very sad," I say, "You are totally right." In Japan they say, "Your art is very Japanese, you even look Japanese.Your great-grandfather was most surely a Japanese man." And I say, "You are totally right."
Fine art, that exists for itself alone, is art in a final state of impotence. If nobody, including the artist, acknowledges art as a means of knowing the world, then art is relegated to a kind of rumpus room of the mind and the irresponsibility of the artist and the irrelevance of art to actual living becomes part and parcel of the practice of art.
I lost my parents. I was totally alone and I had to manage everything all alone. It did put me in depression.
She smoked because she craved something to do with her hands, that delicate interplay of light and cup and first inhale. Craved the repetition of it. It was so difficult sometimes to be still in a room, alone with oneself. To bare oneself to the lonely.
I started in documentaries. I started alone with a camera. Alone. Totally alone. Shooting, editing short documentaries for a French-Canadian part of CBC. So to deal with the camera alone, to approach reality alone, meant so much. I made a few dozen small documentaries, and that was the birth of a way to approach reality with a camera.
A writer who writes, ''I am alone''... can be considered rather comical. It is comical for a man to recognize his solitude by addressing a reader and by using methods that prevent the individual from being alone. The word alone is just as general as the word bread. To pronounce it is to summon to oneself the presence of everything the word excludes.
To evoke in oneself a feeling one has once experienced, and having evoked it in oneself, then by means of movements, lines, colors, sounds, or forms expressed through words, so to convey this so that others may experience the same feeling - this is the activity of art.
I discovered the National Coalition Against Censorship when I felt totally alone in my fight to protect intellectual freedom, and that group changed my life. I was no longer alone.
I have no choice sometimes, but there's something about being alone. When I'm alone I might not speak for 24 hours, but you're totally seeing things. It's a pretty cool experience.
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