A Quote by Paula Patton
Comedy is not supposed to be funny. Its supposed to tell the truth and then that's funny.
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What reaches an audience is honesty. If you're saying something truthful that's supposed to be a funny line, it's going to be funny. And if it's supposed to be a serious line, it's going to be serious. But, I don't think there's a distinction between how you play drama or comedy, if it's based in the truth.
If you tell the reader it's funny, then the audience is like an audience at a stand-up comedy club and they expect you to be funny, and if you're not, they notice. Whereas if you read a regular op-ed about Israel or the family or medicine, you're not starting with the assumption that you're supposed to laugh.
You see a lot of comedic content that's not funny, and you can tell that it's supposed to be funny, but it's actually not funny.
The only thing that I don't like is my kids watching comedy that isn't actually funny. There's a lot of supposed tween comedy on TV that isn't particularly funny, but it's got a lot of laugh track. And I go, 'Please don't watch that. Please just watch something that's actually funny.'
The truth of it is that people are not going to want to go to improvisational theater if it's not funny. You can succeed in doing all the things you're supposed to do - be truthful to scene - and if it's not funny, I'm telling you that no one's gonna care.
Thery're both iron, isn't that funny?" "Funny haha or funny strange?" James handed them back to me "Funny 'occult'" "Ah. Funny strange" James looked at me sternly, "Don't start that. I'm supposed to be the humorous one
Yeah, the main goal when I'm writing [movie scripts] is to entertain myself. It's supposed to be funny, but then a funny idea can be turned into something else.
You do what you're supposed to do, but you have to be honest about what they're doing. When you do a comedy show on a network the problem is there are going to be a bunch of people who aren't comedians that are going to tell you what's funny.
At some point in the past, it was decided that women in comedy are never supposed to be shown in an unflattering light. But in comedy, you need all of your tools to be funny.
Comedy is the slave of time. What seemed funny then is unlikely to seem funny now, just as what strikes us as funny now would not have seemed funny then.
I just hate the whole idea of labeling anything as a comedy. If you tell me something's funny, I'll want to rebel against it. When I go to a bookstore and see books categorized as humor, I get furious. Don't tell me that a book is funny. Let me decide if it's funny. It's the same with sitcoms. You call something a sitcom and people expect it to be funny. And that ruins everything.
It's funny, there's all these slogans like 'you're never too old to keep dreaming.' You know it's funny how in the basketball world, and in the business world where you're just supposed to stop. In the sports world, I feel like at 35 you're just supposed to stop. If you do, that's great.
My philosophy is that if you're playing a moment truthfully, that it's a funny moment, then hopefully it will be funny. I like to just go for a truth in the work as much as I can. There's a lack of ego when you're working with comedy that I really love. It's hard to come up with something funny. It's become a fun game in a way. Everyone is going for the gold, for that humor.
I did a lot of serious plays, and I did the Oxford Review as well, which is supposed to be funny, but I'm not sure how funny we were when we did it. Then, when I finished my course, it was only then that I decided to go to drama school and try and do acting because I was enjoying it so much and so on.
When you look at the comedies that are out there, 99 per cent of the time, men are the heroes. It's often thought that a woman can't be funny, that women are supposed to be sexy, not funny.
[In comedy] you never want to leave the actors hanging out to dry. So you need to come up with funny individual stories for each character, and then you do this sort of comedy geometry, weaving them together. Once you've got a funny structure and you know why the scenes are funny, then you get super funny people to say your own lines, say their own lines, say things in their own way, and every scene is a live rewrite in front of the camera.
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