A Quote by Paula Pell

My sister's journal was the romantic one with boys, and mine was talking about my rock tumbler. We were so different and so similar. — © Paula Pell
My sister's journal was the romantic one with boys, and mine was talking about my rock tumbler. We were so different and so similar.
When I was a kid and my parents started talking about politics, I'd run to my room and put on the Rolling Stones as loud as I could. So when I see all these rock stars up there talking politics, it makes me sick... If you're listening to a rock star in order to get your information on who to vote for, you're a bigger moron than they are. Why are we rock stars? Because we're morons. We sleep all day, we play music at night and very rarely do we sit around reading the Washington Journal.
What I loved about bike racing was that it was not a mainstream sport. My heroes were self-made. There were no coaches, no training centers, and only a handful of sponsors. Training rides were not totally devoted to bike talk. I got to know a lot of riders this way, not just as good sprinters or good climbers, but as people who had ideas different from mine, jobs different from mine, and dreams different from mine.
Will Bridges, who is the co-creator with me, when we were working on 'SuperBob,' we were just talking about how we like to write about relationships. And we were talking about what love is. We were in very different stages; he was married and was about to have his first child, and I was kind of dating the wrong people.
I was a young feminist in the '70s. Feminism saved my life. It gave me a life. But I saw how so much of what people were saying was not matching up with what they were doing. For example, we were talking about sister solidarity, and women were putting each other down. We were talking about standing up for our rights, and women weren't leaving abusive relationships with men. There were just so many disconnects.
The way I paint is similar to rock in that you don't stand around and say, 'Gee, what are they talking about?' Rock is simple, blunt, colorful. Same with my paintings. You don't stand back and wonder what it is. That's Jim Morrison, that's a panda, that's a scene on the West Coast. It's not abstract.
With seven boys and one sister, there was always a lot of music in the house. A few of my brothers were playing instruments, so it was from hearing that, coupled with discovering early rock, which triggered me to pick up a guitar and try to pick out the notes.
I know a lot about when I was a little girl, because my sister used to keep a diary. Today I keep her diary in a drawer next to by bed. I like to see how her memories were the same as mine, but also different.
I'm like a middle-aged person; when my friends go on about modern bands, I don't know what they are talking about. I'm into rock n' roll, like Jimi Hendrix. Not so much because of my parents, who used to play a lot of Nina Simone and older blues, but my brother and sister.
Caitlin Cary and I were always talking about X when we talked about whiskeytown, before it became an actual band. We like the concept of there being no real front person in X, yet this kind of switch up of vocals and really their sheer power, and their ability to sort of bastardise punk rock and midwetsren rock and even country into their own sound.
Boys are different from girls, but boys are also different from other boys, just as girls are different from other girls. Calling a book 'for boys' or 'for girls' is well-meaning, but to me, not terribly helpful.
Boys are different from girls, but boys are also different from other boys, just as girls are different from other girls. Calling a book “for boys” or “for girls” is well-meaning, but to me, not terribly helpful.
I think with romantic comedies it's a lot about tone, because different romantic comedies have different tones.
Every teenage artist out there is mostly talking about boys, and I think there's so much more to being a teenager than just boys.
I was at the table with three Europeans, and we were having lunch. And they were talking about their role as lead authors. And they were talking about how they were trying to make the report so dramatic that the United States would just have to sign that Kyoto Protocol.
OK, so here's the deal. First of all, "The Wall Street Journal" was bought for $5 billion. It's now worth $500 million, OK. They don't have to tell me what to do. "The Wall Street Journal" has been wrong so many different times about so many different things. I am all for free trade, but it's got to be fair. When Ford moves their massive plant to Mexico, we get nothing. We lose all of these jobs.
Boys were a very essential part of rock & roll. The girls were more onlookers.
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