A Quote by Paula Pell

Everyone knows people like that: You're looking at their milky, glazed-over eyes, and you know they're not listening. — © Paula Pell
Everyone knows people like that: You're looking at their milky, glazed-over eyes, and you know they're not listening.
A strange, glazed expression came into his eyes and he staggered around the cabin looking for all the world like a zombie unwilling to take part in an experiment in advanced necromancy.
You'll notice my eyes have sort of glazed over.
To be an artist at all is like living in Switzerland during a world war. To be an artist in Zurich, in 1917, implies a degree of self-absorption that would have glazed over the eyes of Narcissus.
Reading is like thinking, like praying, like talking to a friend, like expressing your ideas, like listening to other people's ideas, like listening to music, like looking at the view, like taking a walk on the beach.
Everyone knows Earth, Wind & Fire. We know 'September,' all the big sort of hits from going out and dancing and stuff. When I was developing St. Lucia, I really started listening a little bit deeper, listening back to their stuff from the '70s and '80s, and really dug into it.
In this culture the soul and the heart too often go homeless. Listening creates a holy silence. When you listen generously to people, they can hear the truth in themselves, often for the first time. And in the silence of listening, you can know yourself in everyone. Eventually you may be able to hear, in everyone and beyond everyone, the unseen singing softly to itself and to you.
You forget how crazy people are in New York, all the people on the sidewalk. When you leave here, everyone's in their car. But I get back here - I just went to throw something in the garbage, and there was a guy in the garbage. And he wasn't looking in it; he is in it, looking out over 9th Ave like a fisherman.
I saw him at the club and one of his friends was like, 'You're gonna meet Justin' and I just remember - everyone knows Justin Bieber, right? Everyone grew up, at least I grew up, listening to his music. I know all about him, I was so nervous.
If there is a true measure of a person's soul, if there is a single gauge of real divinity, of how beautifully a fellow human honors this life, has genuine spiritual fire and is full of honest love and compassion, it has to be right there, in the eyes. The Dalai Lama's eyes sparkle and dance with laughter and unbridled love. The Pope's eyes are dark and glazed, bleak as obsidian marbles. Pat Robertson's eyes are rheumy and hollow, like tiny potholes of old wax. Goldman Sachs cretins, well, they don't use their own eyes at all; they just steal someone else's.
When I leave the theater I can always hear people talking about the character, and everyone always says, "You know, I know someone like her." And I always think, Everyone knows someone like the characters; nobody is like the character. Nobody wants to admit that they are a little bit like that.
Everything I know I imagine everyone else knows as well. And then everything that everyone else knows I imagine they know on top of what I know, so I'm constantly anxious about what everyone else knows.
What I don't find compelling is doing classical plays that everyone already knows - and people are following with the text in their hand because no one is listening.
What I am is a heretic who's recanted and, thereby, in everyone's eyes, saved his soul. Everyone's eyes but one, who knows deep down inside that all he has saved is his skin.
What I am is a heretic who's recanted, and thereby in everyone's eyes saved his soul. Everyone's eyes but one, who knows deep down inside that all he has saved is his skin.
I have the feeling that the magazine can reach many more people than it reaches and has something to offer that not everyone knows who should know it. That's why we're starting an app, and that's why we do the blog. But editorially, I think it's mainly a matter of keeping your eyes peeled. You just really don't know what's going to come along.
I feel like there is something about having a copacetic world POV that helps in making a comedy. Like, David Wain has such a particular way of looking at the world. It helps when everyone can see behind his eyes, you know?
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