A Quote by Paula Radcliffe

The biggest danger is trying to put too much pressure on yourself, trying to get in too good shape. — © Paula Radcliffe
The biggest danger is trying to put too much pressure on yourself, trying to get in too good shape.
You can put too much pressure on yourself. You can start forcing balls, maybe trying too hard. You make things too complicated.
I'm constantly trying to be strong, to be calm when things get tough. The biggest part of that is keeping things in perspective, not being afraid of playing long matches, not putting too much pressure on yourself. It can't be all or nothing, right here, right now.
Sometimes you can press a little bit and you're trying to do too much and you're trying too hard. You want to win so bad and you want to help the team so badly that you end up trying too much instead of letting the play come to you.
You put pressure on yourself to go out and do better. And when you try to do too much, and you're thinking about it too much, it can throw your game off.
When you get to an event like the Olympic Games, you can put too much pressure on yourself.
If you want to do good research, it's important not to know too much. This almost sounds contradictory but really if you know too much and you get an idea, you will sort of talk yourself out of trying it because you figure it won't work. But if you know just the right amount and you get enthusiastic about your project, you go ahead, you do it and if you're lucky things'll work out.
Pause and remember - Slow and steady will get you where you want to go. If you put too much pressure on yourself for results too quickly, you will quickly give up.
I'm always trying to get to a danger point in color, where color either becomes too sweet or it becomes too harsh, it becomes too noisy or too quiet, and at that point I still want the picture to be strong, forceful, and the carrier of everything that a painting has to have: contrast, drama, austerity.
I think the danger in trying to set too many things up or do too much world-building in a movie so soon is you forget to actually make a movie.
Too many actors are trying to be cool: they're trying to do it with their hair, trying to do it with the color, trying to do it with clothes, or some bullshit attitude you're either cool or you're not, that is my theory. If you have to try, it is too late.
The biggest criticism would be buying clothes that are too big or trying too hard. I tend to like things a little leaner and more formfitting. I believe personal style often outweighs fashion. Just be yourself.
In essay writing, I'm trying to push the form of expository writing. I'm trying to remember, trying to reckon, trying to find connections with the world, the nation and me, but I'm always trying to push the form, too, without being too obvious that I'm trying to push the form.
What is the point of trying to put down on paper emotions that are too complex, too huge, too overwhelming to be confined by an alphabet? Love isn't the only word that fails. Hate does, too.
It's a game. Don't put too much pressure on yourself that you can't have fun.
Sometimes perception is almost more important than the skill level of an actor. And if you give too much away, you have nothing to take for yourself and put onscreen. If people feel like they know you too well, they won't be able to indentify with the character you're trying to portray. Or they'll feel that you're just playing yourself, and then you just become a personality actor. And that's the death of any actor.
I'm trying to cultivate a long-term career rather than get every job right this minute. That'd be putting too much pressure on myself. I'd go crazy if I thought like that.
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