A Quote by Paula Rego

Sketches always have more vitality than paintings because you're finding things out through doing them. — © Paula Rego
Sketches always have more vitality than paintings because you're finding things out through doing them.
Life is all about finding yourself through experiences, and about learning more and more about who you are and what you’re capable of. If you’re getting older and not succeeding in anything or doing anything to make a positive impact on people, then you’re not living. You’re just waiting for death. Get out there and make an impact on people, whether it’s by helping them directly or by doing research to make their lives better or just by inspiring them. Do something good to be remembered for. This is more important than money.
When love is out of your life, you're through in a way. Because while it is there it's like a motor that's going, you have such vitality to do things, big things, because love is goosing you all the time.
Don't be too precious or attached to anything you write. Let things be malleable. For sketch writers, remember they're called sketches for a reason. They're not called oil paintings. Some of them are going to stink. You have to let them stink.
I have always wanted to make paintings that are impossible to walk past, paintings that grab and hold your attention. The more you look at them, the more satisfying they become for the viewer. The more time you give to the painting, the more you get back.
'SCTV' was the concept of a group ensemble doing satirical things. 'Saturday Night Live's sketches were broader than ours, more universal.
I believe that 100, 200, 300 years from now, all these paintings will be around because they're the first paintings of humans doing things off this Earth.
Because there is nothing I would rather do than rummage through bookshops, I went at once to Hastings & Sons Bookshop upon receiving your letter. I have gone to them for years, always finding the one book I wanted - and then three more I hadn't known I wanted.
Funny bones, to me, are more important than funny lines. If a comedian is just not likable and doing the lines, you could read them yourself. Whereas if someone [you like] shambles out, and they tell you what a bad day they've had, they don't have to say anything. I love them. I want to hug them because they've been through something. And it comes back to empathy, always empathy.
I never felt that I was a leading-man type in high school. I was always the goofy guy who was getting attention from girls who could make them laugh by doing impersonations of, like, 'Saturday Night Live' sketches... I was more James Stewart than James Bond.
All photographs are there to remind us of what we forget. In this - as in other ways - they are the opposite of paintings. Paintings record what the painter remembers. Because each one of us forgets different things, a photo more than a painting may change its meaning according to who is looking at it.
You disappoint yourself more often by not doing things because of cowardice and temerity than you ever did by doing things that turn out to be wrong.
That's a big part of my life - doing things that I'm not prepared to do. Doing things that I don't know how to do, and keep doing them until I get good at them. I always try to put myself out of my comfort zone and out of my depth, and hopefully somewhere along the line I'll catch up.
I'm expressing the feelings of mankind today through the Blue Dog. The dog is always having problems of the heart, of growing up, the problems of life. The dog looks at us and asks, 'Why am I here? What am I doing? Where am I going?' Those are the same questions we ask ourselves. People look at the paintings, and the paintings speak back to them.
The small figures that appear in my paintings are there only because they were there when I was working from nature on my preliminary sketches with pencil.
Doing things out of the ordinary - out of the box - like jumping out of airplanes and landing in cities that you've never been to before, then finding your way through. That's the type of trip that excites me.
I'm not the kind of artist who has an idea and then carries it out; it's more like I find what the idea was through doing the paintings.
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