A Quote by Paula Rego
I thought the only way you can get into things is... through the basement... exactly where my studio was ... I could creep upstairs and snatch at things, and bring them down with me... where I could munch away at them.
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You could feel things or you could find a way to shut down. But once you were feeling things, you couldn’t decide exactly what to feel. That was the trouble with letting them in at all. They made a mess of the place.
I love to study the many things that grow below the corn stalks and bring them back to the studio to study the color. If one could only catch that true color of nature - the very thought of it drives me mad.
I was creating characters early. People didn't beat me up. I scared them. I hated authority. I could also get people to do things; I was quite the early director. I could make people laugh enough to get their defences down - and then brainwash them.
I can remember the time I would get my scripts and spent the entire weekend breaking them down and playing with them, and putting a lot of work into them, trying to bring the character to life, and to make interesting choices. It was one of the things to me that told me that I needed to change things up a little bit, because to me, I felt the passion was lacking from some of my performances.
Anil Sethi told me to get into journalism. The thought got into my head, that I could see things, write about them. I used to, anyhow, roam around, observe and describe things I saw.
I realized that they could take everything from me except my mind and my heart. They could not take those things. Those things I still had control over. And I decided not to give them away.
I do not miss childhood, but I miss the way I took pleasure in small things, even as greater things crumbled. I could not control the world I was in, could not walk away from things or people or moments that hurt, but I took joy in the things that made me happy.
Time was a thief, he stole your life away from you and the only way you could get it back was to outwit him and snatch it right back.
I would have thought it possible to choose delegates for these larger conferences who, even if they could not speak the principal languages, could at least understand them or could have friends seated beside them who could keep them informed on essential points.
Dreams, dreams. I walk them; I live them. I delude myself with them. It's a wonder I can spot reality anymore."... He turned from me with a sigh. "I need a drink."... "Oh, good. That'll fix everything. I'm glad in a world gone mad, you've still got your old standbys."... "What do you expect me to do?" he asked. "You could... You could... Well, now that you're here, you could help us. Plus, this guy we're meeting. He's another spirit user."... "Yeah, that's exactly what I want. To help my girlfriend get her old boyfriend back. " He turned away again, and I heard him mutter, "I need two drinks."
Sweeter even than to have had the joy of caring for children of my own has it been to me to help bring about a better state of things for mothers generally, so their unborn little ones could not be willed away from them.
Today you will say things you can predict and other things you could never imagine this minute. Don't reject them, let them come through when they're ready, don't think you can plan it al out. This day will never, no matter how long you live, happen again. It is exquisitely singular. It will never again be exactly repeated.
Each memory was brought to life before me and within me. I could not avoid them. Neither could I rationalize, explain away. I could only re-experience with total cognizance, unprotected by pretense. Self delusion was impossible, truth exposed in this blinding light. Nothing as I thought it had been. Nothing as I hoped it had been. Only as it had been.
My philosophy is that once you get people compelled enough to sit down and play the game, the whole way you make the game successful is by giving them enough unique ways to do things. First, let them deal with pulling levers and things like that for a while. Then after they've mastered that, you give them something else to do, like getting through doorways by blasting them down with a cannon Next, you give them a monster-finding quest, followed by logic problems to figure out. You pace it that way. Assorted activities and the diversity of activities are what makes a game rich in my mind.
In the studio, if they need to come down to the floor, things are a bit pushy, although it is easier for them to say things directly rather than through about five people.
This is one way that wealthy Americans could really contribute. They could put hundreds of millions of dollars into the infrastructure bank, be a good investment for them, for their children, for their grandchildren, and they would directly contribute to revitalizing a big sector of middle-class wages in America and making our country more productive, so that we could create more opportunity. But I think that we could get a lot of grassroots support from, like, local chambers of commerce and other things if they understood exactly how this infrastructure bank would work.
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