A Quote by Paula Rego
If you put frightening things into a picture, then they can't harm you. In fact, you end becoming quite fond of them.
Related Quotes
I think there's no harm, sometimes, to feel on the edge of things. If you're on the margins you can see a bigger picture. And I actually quite like standing at a peculiar angle to the universe.
I have almost no memory of them [St. Trinian's films]. I don't think I've seen them since I was quite young. I was a bit frightened of the girls. I fancied them. Even though I was young, I found them attractive and rather frightening. I've always been attracted to frightening girls! I'm married to one!
It is my misfortune - and probably my delight - to use things as my passions tell me. What a miserable fate for a painter who adores blondes to have to stop himself putting them into a picture because they don't go with the basket of fruit! . . . I put all the things I like into my pictures. The things - so much the worse for them. They just have to put up with it.
Parenthood means becoming comfortable with the fact that there are things outside your control, things that end and fail, just as most utopias end and by some measure fail. And just because they're a failure doesn't mean there isn't value there.
Writing a mystery is like drawing a picture and then cutting it into little pieces that you offer to your readers one piece at a time, thus allowing them the chance to put the jigsaw puzzle together by the end of the book.
He is very fond of making things which he does not want, and then giving them to people who have no use for them.
I always think, 'What does this picture mean? What's the best place to put my camera? Do I have anything extra in the picture, things in the background that will distract? Am I in the basic position that will give the essential things for this picture but not too much?'
For there is a growing apprehension that existence is a rat-race in a trap: living organisms, including people, are merely tubes which put things in at one end and let them out at the other, which which both keeps them doing it and in the long run wears them out. So to keep the farce going, the tubes find ways of making new tubes, which also put things in at one end and let them out at the other.
It is, because you've got a nice picture, you want to put it up, and then you're like, 'Do I want this to go out in the press? Do I want them to run it and make a story surrounding that picture?' That's what I have to think of all the time.
I'm actually quite good at being friends with my exes. I'm friends with almost everyone. In fact, everyone! So I let them burn to a certain degree, and then I put out the fire for a while.
I think it's such a powerful thing: Words and melodies, and you put them together. I couldn't really picture a world without music. It would be quite boring.
There's a time in your life where you're not quite sure where you are. You think everything's perfect, but it's not perfect... Then one day you wake up and you can't quite picture yourself in the situation you're in. But the secret is, if you can picture yourself doing anything in life, you can do it.
I'm not too fond of really cool design. I've got quite kitsch taste really, in things like tableware. I'm quite a sucker for 1930s pressed glass.
I put little goals in place every day, and I think if you can kind of keep to the small things it's easier to capture the big picture at the end.
You don't need great actors to do a 3D picture. All of this condescending stuff that they put out? "Oh, we will always need actors." Bullshit! They are able to take anybody and put some markers on them, and have them walk through an empty room. Then they paint in the background.
Delving deeper into character's motivations one thing I always find helpful is to imagine the person as a child, imagine them at a very early stage, prior to having all of the things taken away from them, or all of the habits put onto them that they end up having, and then going from there.
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