A Quote by Paula Scher

I wasn't a very good illustrator so I became a designer. — © Paula Scher
I wasn't a very good illustrator so I became a designer.
I've been very lucky. I've had three separate careers: freelance illustrator, then set designer, puppetteer and animator, and now fine artist. I just bluffed my way into every one of 'em!
My real background was in art studies. At the beginning I was a painter, then I was this graphic designer, then I became an illustrator, then I was a comic artist. But for me it's a different way of expression, a different field of art. They're not separated; everything for me is related.
I don't think there's an illustrator who's as good as a Titian or a Rembrandt... but then, Rembrandt was a bit of an illustrator on the quiet, you know?
I wound up studying art and design, got a job at Lonely Planet Publications as a designer, cartographer and illustrator.
As the years went by I became a writer and illustrator, although exclusively of fantasies.
Balancing an illustrator and author can be tricky, but I was an illustrator mostly before I wrote my books.
You see me, I wanted to be fashion designer. I became fashion designer. So I think that everything is possible.
Fashion is like a four-legged table: you need a good designer, a very good business manager, a good manufacturer, and a very good distributor. Without all the legs, table collapses.
How a designer gets from thought to thing is, at least in broad strokes, straightforward: (1) A designer conceives a purpose. (2) To accomplish that purpose, the designer forms a plan. (3) To execute the plan, the designer specifies building materials and assembly instructions. (4) Finally, the designer or some surrogate applies the assembly instructions to the building materials. What emerges is a designed object, and the designer is successful to the degree that the object fulfills the designer's purpose.
I'm a designer of more than clothes. I am a designer of a very creative concept.
My father, Ralph Fernandes, was a model before he became an interior designer. He was very supportive of my decision to become a model and then an actress.
I'm an artist, a designer, a craftsman, interior designer, half-architect. There's no one name that fits me very well.
I have been called an eco-designer simply because I use wood. But I am not an eco-designer, nor does the use of wood make me one. I am a designer who cares about the effect of what I do, and about making good things for people to keep and cherish - that, surely, is simply the basic condition for 'good design'?
I wanted to do comic books... as a comic book artist, as an illustrator. But I'm not very good so I thought I should do something else! So I went to a film school when I was seventeen and came out when I was nineteen.
I'm sure it came as no surprise to my friends and family when I became an illustrator and then a writer because, from about the age of five, I was one of those children who always had his nose in a book.
Usually, an author writes a manuscript that is handed in to the editor. The editor will then work with an art director to find just the right illustrator for the job, and off they go. Many times, the illustrator and author never meet.
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