A Quote by Paula Scher

All maps are distorted, they are not literal fact. — © Paula Scher
All maps are distorted, they are not literal fact.
Our mental maps are distorted by who are the 'winners' of history and who are the powers of today.
Theologians will protest that the story of Abraham sacrificing Issac should not be taken as literal fact. And the appropriate response is twofold: first, many, many people even to this day, do take the whole of their Scripture to be literal fact, and they have a great deal of political power over the rest of us, especially in the United States and in the Islamic world. Second, if not of literal fact, how should we take the story? As an alagory? Then an alagory for what? Surely, nothing praiseworthy. As a moral lesson? But what kind of morals could one derive from this appalling story?
Whenever you find a preacher who takes the Bible allegorically and figuratively...that preacher is preaching an allegorical gospel which is no gospel. I thank God for a literal Christ, for a literal salvation. There is literal sorrow, literal death, literal Hell, and, thank God, there is a literal Heaven.
They were maps that lived, maps that one could study, frown over, and add to; maps, in short, that really meant something.
I resolve to venture into the city on my own. I look at maps in the library—subway maps, bus maps, and regular maps—and try to memorize them. I’m afraid of getting lost; no, I’m afraid of sinking into the city as in a quicksand, afraid of getting sucked into something I can never escape.
Plenty of people out there think of me as the Antichrist or the devil incarnate because I do not affirm the literal patterns of the Bible. But the fact is I can no more abandon the literal patterns than I could fly to the moon. I just go beyond them.
Something I've always known about the screen is that if it's anything in the world, it's literal. It's so literal that there's a whole lot you can't do because you're stuck with the literalness of the screen. The stage is not literal.
The earliest maps were 'story' maps. Cartographers were artists who mingled knowledge with supposition, memory and fears. Their maps described both landscape and the events, which had taken place within it, enabling travellers to plot a route as well as to experience a story.
There's a literal track: who says what to whom, what are people wearing, etcetera. And there's the abstract track: what ideas are suggested by the literal. And the real movie takes place in the relationship between the literal and the abstract.
Gravitational waves will bring us exquisitely accurate maps of black holes - maps of their space-time. Those maps will make it crystal clear whether or not what we're dealing with are black holes as described by general relativity.
Gravitational waves will bring us exquisitely accurate maps of black holes - maps of their space-time. Those maps will make it crystal clear whether or not what were dealing with are black holes as described by general relativity.
There are parts on 'Wind's Poem' that are literal recordings of wind. I had this old sound effects record that I got some wind from and then I figured out that distorted cymbals sound just like wind so I used that a lot.
I suspect losing paper maps but gaining GPS and online maps is a similar step function: maps still exist, but they're vastly more useful, not to say permanently up to date, in their new form. Again, I won't be shedding any tears, but I'll keep a paper road atlas in the back of my car for another few years, I think, Just In Case.
Foursquare makes maps special. We take maps that are blank and put dots on them to help you figure out what to do.
The longer we view ourselves through a distorted lens, the more likely we are to believe a distorted truth.
My views on birth control are somewhat distorted by the fact that I was seventh of nine children.
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