A Quote by Paula Scher
I love the big scale and immediate impact of posters. They're my favourite things to design.
Related Quotes
To go back to architecture, what's organic about architecture as a field, unlike product design, is this whole issue of holism and of monumentality is really our realm. Like, we have to design things which are coherent as a single object, but also break down into small rooms and have an identity of both the big scale and the small scale.
To go back to architecture, whats organic about architecture as a field, unlike product design, is this whole issue of holism and of monumentality is really our realm. Like, we have to design things which are coherent as a single object, but also break down into small rooms and have an identity of both the big scale and the small scale.
By working toward a financial objective, you'll start to see the money add up for retirement or the credit card balance go down. But it doesn't have an immediate impact on your day-to-day life, and when it does - like when you're pinching pennies to save more - the immediate impact could feel negative.
Ultimately, we are deluding ourselves if we think that the products that we design are the ‘things’ that we sell, rather than the individual, social and cultural experience that they engender, and the value and impact that they have. Design that ignores this is not worthy of the name.
I simply love classic design when it's reinterpreted. These collections reflect the spirit of this design philosophy; clean pared down lines and forms rooted in tradition yet made to feel new and modern with unexpected or stylized scale, finishes and detailing. This contemporary take on tradition creates a look that's at once current yet timeless, fresh yet familiar…the essence of both beautiful design and a beautifully designed home.
I go to the Natural History Museum and look at the cage of stuffed starlings there. But my favourite thing is the big blue whale. The scale of it is unbelievable, and makes you feel how insignificant you are as a human being.
Coming to Korea and becoming a singer, I always had two big goals personally. One was to be able to make it at some point so that I could do good things - I was always raised with an interest in social impact, philanthropy. The other thing was to be able to take my music and do it on a global scale.
The key to making things affordable is design and technology improvements, as well as scale.
A lot of the music that I really love, and a lot of my favourite music and a lot of my favourite things and a lot of my favourite people, these can be experienced on many levels.
KIND has gone through many iterations as it deepens its social impact. When you're selling a million dollars a year, the impact you can have is very different than when you are selling over a billion dollars a year. Scale has allowed us to do things we never thought possible.
My favourite dish is pollo ajillo; my favourite drink is a good Rioja with it. And as for my favourite music, oh God - there's so many things I like. Well, I'd say it's 'Walk of Life' by Dire Straits.
Design is a field of concern, response, and enquiry as often as decision and consequence... it is convenient to group design into three simple categories, though the distinctions are in no way absolute, nor are they always so described: product design (things), environment design (places) and communication design (messages).
There is an immediate payoff to intelligent design: it destroys the atheistic legacy of Darwinian evolution. Intelligent design makes it impossible to be an intellectually fulfilled atheist.
One of the things that any kind of studies bring out is that the mere act of schooling - getting together, the organization involved, going to classes on time, and there're things being taught, sitting down with others with different backgrounds, chatting with them, and, sometimes when there are big barriers, eating together when there are school meals, which are big things together with a big social impact - they themselves have a major effect.
Basically, the big studios and companies distributing your movie just take a big cut of profit for making posters.
I've learned a lot about stage-managing for illustration. Sometimes you have to delete characters from a scene just to keep from overcrowding the image. I've also learned to making big-scale design decisions early.
Related Authors
Alexey Brodovitch Quotes
American
Graphic Designer
April Greiman Quotes
American
Graphic Designer
Bob Gill Quotes
American
Graphic Designer
Emil Ruder Quotes
Swiss
Graphic Designer
Erik Spiekermann Quotes
German
Graphic Designer
Herbert Bayer Quotes
American
Graphic Designer
Jessica Walsh Quotes
American
Graphic Designer
Lester Beall Quotes
American
Graphic Designer
Neville Brody Quotes
English
Graphic Designer
R. J. Palacio Quotes
American
Graphic Designer
Susan Schneider Quotes
American
Graphic Designer
Wim Crouwel Quotes
Dutch
Graphic Designer
Zuzana Licko Quotes
American
Graphic Designer