A Quote by Paula Sharp

Not since Lord of the Flies has a novelist written with such perceptiveness about the potential for harm that lurks within the innocence of childhood. — © Paula Sharp
Not since Lord of the Flies has a novelist written with such perceptiveness about the potential for harm that lurks within the innocence of childhood.
I can't remember coming across a more precise evocation of innocence lost since Golding's The Lord of the Flies. With The Death of Sweet Mister, Daniel Woodrell has written his masterpiece-spare, dark, and incandescently beautiful. It broke my heart.
No one, at any rate no English writer, has written better about childhood than Dickens. In spite of all the knowledge that has accumulated since, in spite of the fact that children are now comparatively sanely treated, no novelist has shown the same power of entering into the child's point of view.
Childhood is all about innocence. Being constantly surrounded by cameras and shutterbugs, makes children lose that innocence. It's terrifying and worrying, to say the least.
I don't miss much about my childhood. I lived in a good neighborhood, a wacky neighborhood. It was a very boy-heavy neighborhood - kind of Lord of the Flies-y. So many weird things happened, funny things.
Innocence ain’t all it’s cracked up to be, you know. Innocent little kids rip the wings off flies, because they don’t know any better. That’s innocence
I felt I had a very innocent childhood and I feel privileged by that. But as an adult, I know that there were people who didn't have that. There are a lot of teens who haven't had as easy a childhood as me, and having literature that explores these "darker" parts helps relieve the burden and stress they may be feeling. As a writer, there is often a temptation to draw back when we write for teens - to preserve their innocence. But the reality is, if someone has already had that innocence taken in their life, then not writing about it is just brushing it under the rug.
I know you have the capability to understand right from wrong because you hate people who harm children. Well, why not despise people who harm animals? It's hypocritical! Why protect one and violate the other when neither one wants or deserves the abuse? They just wish it would end. Stop praising the innocence in children then ignoring or making fun of the innocence in animals.
The innocence of childhood is like the innocence of a lot of animals.
Innocence always calls mutely for protection when we would be so much wiser to guard ourselves against it: innocence is like a dumb leper who has lost his bell, wandering the world, meaning no harm.
The Spirit lurks within the Flesh Like Tides within the Sea That make the Water live, estranged What would the Either be?
So much of what a pet is about for us is that it becomes a vessel for yearnings, dreams, illusions, hopes and so forth. It's a projection of the ultimate innocence and purity. That's why it's hard to see a dog in its dogness. That's why, when some harm comes to a dog, it's much harder for an audience to deal with that, more so than dealing with harm that comes to a child or anything human.
I can sing very comfortably from my vantage point because a lot of the music was about a loss of innocence, there's innocence contained in you but there's also innocence in the process of being lost.
I'm a novelist at heart. My sole intention is to write the best novel possible. I don't think about the film potential at all.
I remember realizing, when I did Little Women [1994], that that was the only time girls that age were being written about. It was always boys - from David Copperfield to Lord of the Flies to Holden Caulfield. There were never young women going through adolescence or teen years; there were only little girls.
The innocence of those who grind the faces of the poor, but refrain from pinching the bottoms of their neighbour's wives! The innocence of Ford, the innocence of Rockefeller! The nineteenth century was the Age of Innocence--that sort of innocence. With the result that we're now almost ready to say that a man is seldom more innocently employed than when making love.
In the two books I wrote, even though they were written in a sort of Joycean gobbledegook, there's many knocks at religion and there is a play about a worker and a capitalist. I've been satirising the system since my childhood. I used to write magazines in school and hand them around.
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