A Quote by Pauline Chalamet

I double-majored in Political Studies and Theatre & Performance. — © Pauline Chalamet
I double-majored in Political Studies and Theatre & Performance.
From the ages of 5 to 17, I was a competitive dancer. I even went to an arts high school and double-majored in dance and theatre.
Got a degree in acting and actually double majored in musical theatre. And then I came straight to New York and started working.
I majored in musical theatre performance at college, then went through years of waiting tables and temping while looking for acting work.
I'm double majoring in social studies - which is sociology, anthropology, economics, and philosophy - and African-American studies.
Senior year in college, a kind of confluence of events came together to have me pursue a career in acting. I was planning on being a lawyer; I double majored in history and political science. I took the LSAT and did horribly on it, and that was one thing that made me rethink a new direction.
I majored in Shakespearean studies at a very tiny school in Georgia.
I majored in English with a specialization in creative writing along with Asian American Studies.
I started in theatre. I went to the Boston Conservatory and majored in musical theater.
I majored in Chinese Studies. I'm probably the only director of chicken Indian zombie movies who can speak pretty good Mandarin.
To move from a discussion of the early relationship between theatre and television to an examination of the current situation of live performance is to confront the irony that whereas television initially sought to replicate and, implicitly, to replace live theatre, live performance itself has developed since that time toward the replication of the discourse of mediatization.
I was born and raised in Las Vegas, and then I left there to go to the University of Evansville where I majored in theatre.
My undergraduate, I double-majored in biology and chemistry. Biology was kind of my love.
I went to college and majored in political science.
Questions about political theatre always overlook America's most powerful and effective political theatre, which is always thriving: the American musical. The politics is conservative but, to my mind, effective and insidious.
In undergraduate school, I chose a career path that always leads to certain unemployment: I majored in politics and public affairs with a double-minor in philosophy and history.
I majored in directing. However, I did spend some time at the Schomburg Center for Research in Black Culture in Harlem, so I am somewhat well-versed in African Studies.
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