A Quote by Pauline Kael

The problem with a popular art form is that those who want something more are in a hopeless minority compared with the millions who are always seeing it for the first time, or for the reassurance and gratification of seeing the conventions fulfilled again.
I start listening to something, or I'm seeing somebody a lot or seeing their art. And then I just really want to make a picture of them.
Or, to express this in another way, suggested to me by Professor Suzuki, in connection with seeing into our own nature, poetry is the something that we see, but the seeing and the something are one; without the seeing there is no something, no something, no seeing. There is neither discovery nor creation: only the perfect, indivisible experience.
You can look at things all your life and not see them really. This ‘seeing’ is, in a way, a ‘not seeing,’ if you follow me. It is more of a search for something, in which, being blindfolded, you develop the tactile, the olfactory, the auditory senses —and thus see for the first time.
I loved surrealism and abstract painting, and anything related to those. I always thought painting was the highest form of art. What led me to drawing was seeing so much self-important, pretentious, conceptual-type art in university. I wanted to reject that by making quick, fun art.
There is something about seeing real people on a stage that makes a bad play more intimately, more personally offensive than any other art form.
Where do I begin with 'The Godfather?' It's like explaining why the 'Bible' is so popular. I'll always remember seeing the first one because it was the only time I went to the movies with my grandfather.
If we see an object as a bowl, it may inhibit seeing it as craft, just as seeing it as craft might inhibit seeing it as art. See first; name later.
There are records I'll listen to one time and zero in on what's happening, and then I'll listen again to something I didn't notice the first time. The art of making records is something like this: you want to provide a multiplicity of experience in a single object, which is to say you want layers so that people can revisit and have something revealed to them that wasn't apparent the first time. We often will listen to the same music over and over again, and that tells you something, too.
But those who seek only reassurance from life will never be more than tourists—seeing everything and trying to possess what can only be felt. Beauty is the shadow of imperfection.
This is like the telephone problem - no one wants to have the first one. But we are seeing a lot of people who want some sort of technology to solve the spam problem.
I had never really thought about acting as art. You know, growing up in Youngstown, the Rust Belt of the world, it was always just a form of entertainment. Finally seeing it as an art form, I fell in love with it. So I moved out to California, never having visited before.
The solution of the problem lies in seeing it—in the seeing, without wanting a solution, or dissolution—just seeing what’s there. . . .
I'm really about seeing people and art for what they are. Like, seeing people as humans and seeing art.
I always knew that I had to direct. That was something I'd wanted to do. Finally, I was just looking at the situation and I said, "I wanna document hip-hop, as an art form, seeing how a lot of people don't take it seriously."
We say seeing is believing, but actually, we are much better at believing than at seeing. In fact, we are seeing what we believe all the time and occasionally seeing what we can't believe
So, you're seeing the Rolls-Royces and the Bentley's still selling for big prices. You're seeing jewelry still selling, art works at auction. There was a diamond that sold for I think 38 million, 48 million, something like that just a week ago. So prices are back up to their highs, getting stronger and more and more people seem to have more and more money to spend.
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