A Quote by Pauline Kael
The words "Kiss Kiss Bang Bang" which I saw on an Italian movie poster, are perhaps the briefest statement imaginable of the basic appeal of movies
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South Sea natives who have been exposed to American movies classify them into two types, 'kiss-kiss' and 'bang-bang.
But I think Kiss Kiss, Bang Bang really got that thing where, if a movie reads really funny and then has some dramatic or violent or sinister stuff in it, you can't forget that primarily it has to be even funnier than you read it or that other stuff doesn't work.
Bang! Bang! Bang! Sorry Mr. Yipes, sir, she won't budge!' Put your back into it, man, give it all you've got!' Bang! Bang! Bang!
Hooray!" said the Chief of the Army. "Let's blow everyone up! Bang-bang! Bang-bang!
We saw a big bang in PCs; we saw a big bang in the Internet. I believe the next big bang is going to be even bigger. To be ready for that, we need to set the foundation, and that foundation is SoftBank Vision Fund.
In television, the cuts are so quick: bang-bang-bang-bang-bang! I want to shoot two people and sit there for eight minutes and watch them. I've got a lot to learn about television and about the best ways to tell stories directorially in that medium.
So, when kiss Spring comes
we'll kiss each kiss other on kiss the kiss
lips because tic clocks tock don't make
a toctic difference
to kisskiss you and to
kiss me.
Bang bang bang. I understand now why so many horror movies use that device-the mysterious knock on the door-because it has the weight of a nightmare. You don't know what's out there, yet you know you'll open it. You'll think what I think: No one bad ever knocks.
First of all, the Big Bang wasn't very big. Second of all, there was no bang. Third, Big Bang Theory doesn't tell you what banged, when it banged, how it banged. It just said it did bang. So the Big Bang theory in some sense is a total misnomer.
When people can't abide things as they are, when they can't abide the present, they do one of two things ... either they ... either they turn to a contemplation of the past ... or they set about to ... alter the future. And when you want to change something ... YOU BANG! BANG! BANG! BANG!
Such a little thing really, a kiss... most people don't give it a moment's consideration. They kiss on meeting, they kiss on parting, that simple touching of flesh is taken entirely for granted as a basic human right.
Perhaps this is how girls fall -- not in some crime of enchantment at the hands of a wicked ne'er-do-well, a grand before and after in which they are innocent victims who have no say in the matter. Perhaps they simply are kissed and want to kiss back. Perhaps they even kiss first. And why should they not?
Because a real kiss, a kiss that two real people choose to give each other - it's something that can't be filmed or photographed or drawn, or even described with words. Because a kiss isn't what it looks like or how it feels. A real kiss happens down deep inside of two hearts at the same time. It's hidden away. A real kiss is invisible.
'Chitty Chitty Bang Bang' was a movie that I repeatedly turned down. The movie's producer, Albert 'Cubby' Broccoli, known for his tight-fisted control of the James Bond movie franchise, desperately wanted to re-team Julie Andrews and me after the success we'd enjoyed with 'Mary Poppins.'
I was very happy with Vampire's Kiss, which in my opinion was almost like an independent laboratory to start realizing some of my more expressionistic dreams with film performance. Then using what I had learned in Vampire's Kiss and putting it into a very big action movie in the form of Face/Off with John Woo. If you look at those two movies back to back, you can see where I stole from my performance in Vampire's Kiss.
'Boom Bang a Bang' was a huge part of me, maybe a part that I didn't relish, and there might be psychological reasons for that - I was a child being made to do things I didn't want to do. I was perhaps an elitist, a bit of a snob.
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